Pillar. The Christian band that not many would know is a Christian band if they were simply listening to their music. Pillar, like Thousand Foot Krutch, has many albums, and there really is no general consensus as to which one is the best because they are all pretty balanced, each having their own strengths and weaknesses. This album is no different, but it doesn't really enhance their legacy. I'm not saying this album is bad; in fact, it is one of their stronger efforts, it just doesn't "wow" me like I was hoping it would, and as any music fan hopes a new record will. Pillar is very consistent and their sound stays pretty much the same, despite the additions of new a new bassist, Rich Gilliland, and a new drummer, Taylor Carroll. Rob Beckley's vocals are still very similar, alternating between regular rock singing/serenading and his own version of harder screeching and wailing, and guitarist Noah Henson can still tear it up, which is also similar to the previous five albums, so it's kind of harder to get extremely excited for this sixth effort unless you are comfortable with staying in the realm of the familiar. This group still rocks out with a vengeance and there are some good themes to their music, but its short length of only ten tracks keeps it from being anything extraordinary. It's good stuff, just not the most revolutionary thing in the world.
1. Fire On The Inside- In my opinion, this song shows a lot of promise but the chorus is kind of a letdown from the intensity of the guitar and drums in the beginning of the song. There is some solid rock out quality here, but the scheme of the chorus doesn't do it justice. Lyrically it is strong talking about the battle that rages between good and evil manifested through man's actions, but as Pillar tends to do, their music is so good and hard that the message will be lost on some. Not as epic as I would have liked because Pillar can do better, but this is still good work. The guitar solo near the end of the solo is very strong as well. 8.5/10
2. Whatever It Takes- This song starts off slow with the intention of building up into something more exciting, and this executed much better. The background vocals also add to the desperate message of the song. This is classic Pillar, and while I was not immediately astounded by this song, it definitely grew on me. There is a session of intensity with some screaming that is not seen that often from Beckley but it is done well and will be sure to please the harder fans. 9/10
3. Secrets And Regrets- The fan favorite of the album so far is more of a mellow song, which is surprising to me, but it is also undeniable that this is a great song. The transition from verses to chorus is not necessarily extravagant, but the chorus itself is solid and pleasing to a crowd. The guitar is also very interesting and will capture some attention. This is not the best song on the album in my opinion, but it is definitely up there, and the lyrics are definitely heartfelt and unique enough to be a sure hit with their fan base. 9.5/10
4. Better Off Now- The song prior to this one delved into more dramatic and mellow tones, this song is more of a bluesy rock song, with stringed instruments in the backdrop used to create a sad and yet uplifting mood. This is a song about trying to get over someone who still holds a special place in a person's heart, but weighs him/her down. This is surprisingly one of the more epic songs on the album when it gets to the crescendo of violins, guitar, and drums, along with Beckley's appropriate vocal intonation. This song is certainly heartfelt as well. 9.5/10
5. Not Without A Fight- A chilling guitar intro starts off a rocking song with great guitar/bass hooks and heavy drums that will quicken anyone's heartbeat. There is some background screaming, and while some may find the amount of screaming both in the background and by Beckley to be excessive, I think it adds to the intensity of the song. This is not a universal rocker, it definitely will only find its place among those lucky enough to appreciate it and find the correlation between the lyrics dripping with resilience and the harder musical presentation. That being said, I love this damn song, and it would fit in nicely with Need For Speed: Underground's soundtrack. I don't say that because I'm a dork, but because songs by Static-X and Lost Prophets on that game are like family here. The best song on the album. 9.5/10
6. Will You Be There- Piano, acoustic guitar, and violins start off a very slow song that is well reflected and enhanced by the softer vocals and the drums. This is a good song for those looking for something to relax them and calm them down. A very good, reflective, and meditative song that picks up a little more intensity near the end, but would be well-recommended for anyone looking for a song with a deeper meaning, profoundly contemplating on the relationship between man and God, or between man and woman as well. 9.5/10
7. Shine- A cover song of Collective Soul's "Shine", which sounds remarkably similar to the original if not for a few subtle differences and a great one that manifests itself later on in the song. This song is certainly stylish enough and one of the strongest tracks here, but it was kind of disappointing to me when I realized that out of only ten songs, nine of them are original. I feel like the wait for this new album should have been shorter based on what's being delivered, but this is still a good song. I would go into detail about how pleasant the lyrics and the guitar/bass/drums schemes are, but I wouldn't really be reviewing Pillar anymore. Except for the guitar solo. This is extremely different, and good Lord can Noah Henson play some guitar. This is what people listen to when they are inspired to pick up and instrument and pretend to be rockstars. This is a solid cover that enhances the song from the original in my opinion because I prefer this guitar solo and Beckley's vocals, but I can only get so excited about it. 9.5/10
8. Call To Action- Another hard rocker that kicks off with some fast-paced guitar and slower drums/vocals to give the idea that things are gonna get out of hand in a second...oh wait maybe it'll be a minute instead....ok here we go. Listeners will have to listen till the chorus for things to pick up a little bit and fulfill the anticipation created by the start, and even then I feel like somebody at the store who is not given as much change back as they should have: I may have only lost .75, but it's the principle of the matter. And .75 can buy me Taco Bell. This is a good song, just not as good as I was expecting. The end is pretty cool, and the lyrics once again feature the classic theme common among Christian rock bands of "Bring it on!....But I've actually got a good reason to be pissed off and resistant." Which is cool, but amidst the best of Pillar, this song will not find a home. 9/10
9. Lose It All- Another slow ballad that is more upbeat, which kind of diminished its value as well as the relevance of the lyrics in relation to the song as a whole. The guitar featured in small fragments as well as the violins displayed in a similar fashion are good accompaniments, especially at the end, but the whole concept of this song just comes up short for me. 8/10
10. You Are Not The End- The final track on the album (yes we are already there) starts off quickly and then slows down but has signs of picking up again, which are actually fully fulfilled this time around, with Beckley screaming out. This is a rock anthem unifying people against the imposition of another person's dominating will. The verses aren't really anything special, but the chorus makes this song interesting at the very least. This song doesn't really fit in with my definition of a closer track, but I guess with only ten tracks (one of them being a cover, three of them being slow songs), where else could it go? The song kind of ends abruptly, leaving me to be a little bit resentful that its already over and that it ended on such a random and bad note. Not that this song is bad, it's just not the appropriate ending, and it's not how I expected it to be. It's like breaking up with someone that was a nice relationship for awhile, but now you are bored: they say everything is fine and you can still be friends, but in reality, it's over for good, and that's not what you had intended to do. 9/10
Overall: 91/100
A very short album that satisfies any temporary Pillar cravings I might have had, but I will be anxiously awaiting the next album and hoping that Pillar comes through more thoroughly the next time around. This isn't bad work, and the score given certainly is respectable (even if there are only ten songs so the room for disparity between perfection and where they ended up is not as large), but one would think and hope at this point that Pillar would be able to crank out something truly epic as veterans of the harder Christian rock genre. Because that really is what Pillar does best: merging the gap between Christian music and rock music. A must for Pillar fans, but not necessarily rock fans in general, especially those low on cash. Well that's it for this week. Coming next week will be reviews for two highly anticipated releases: Breaking Benjamin and Paramore. Thanks for tuning in. Rock on.
Showing posts with label bass. Show all posts
Showing posts with label bass. Show all posts
Tuesday, September 22, 2009
Monday, September 21, 2009
Monty Are I: Break Through The Silence Review
Monty Are I is a band that not many people have heard of, maybe because of their style of music, or maybe because the name of the band is not as accessible as easier names to remember or research like "Green Day" or "Yellowcard". And I think this is a shame to rock culture to be perfectly honest. Because these guys are damn good. Ever since I heard the song "In This Legacy" off their debut record in 2006 "Wall Of People", I knew this was not your everyday, run-of-the-mill group. The one word I would use to describe these guys would be epic. Their music does branch into experimental territory at times, but for the most part, the addition of keyboard/synths, trombone, trumpet, and in some songs, violin, viola, and cello make for epic rock anthems that would normally guarantee any band fame. If you are looking for something new to rock out to or if you are tired of the same old, same old, look no further, because I personally guarantee this band will blow you away.
1. Break Through The Silence- Remember what I said about epic? Apply it here. The first track of "Break Through The Silence" starts off with one of the greatest guitar/bass/drumming throwdowns I've ever heard. A solid and catchy beat that really allows lead singer/guitarist Stephen Aiello's vocals to shine, and guitar/trumpet man Ryan Muir's vocal contributions are a welcome addition as well. The middle of the song shows some intensity with some background synthing from keyboard/trombone man Andrew Borstein. Michael Matarese's bass is great as well. Lyrically, this song conveys a very hopeful message with dynamic execution. 10/10
2. The Stand- I'm not sure why, but the beginning of this song reminds me of Maino's "All The Above" featuring T-Pain. Kinda cool/random tidbit. Another hopeful message is seen here, with a touch of resilience. This is a very accessible song to rock fans, and the constant strumming in the background is pretty cool if you look for it. Aiello's vocals excel in this song as well, and the accompanying background harmonizing is a pretty cool touch. 9.5/10
3. Hope- A song that expresses desperation for hope in a tough time. Another epic start with some awesome guitar schemes. Violins and other instruments also add to the drama of the song, at one point giving it almost an Arabic-themed feel. This is a very cool song with a good message that anyone can rock out to. Oh and I guarantee someone will wet their pants at the end of this song at a live performance. 10/10
4. One In A Million- The first single from Monty Are I has a sort of trippy beginning that picks up speed once the chorus hits. I like the whole idea about being one in a million, but if this song were to receive any criticism, it would be repetitiveness, particularly concerning the background vocals of "I AM..." There is a solid guitar breakdown in the middle of the song that is soon accompanied by some good vocals. The end of the song also features one hell of a musical beatdown. 9/10
5. Making Sounds- A more mellow song in comparison to the last four songs, the song begins with some soft vocals that also proves Aiello can hit a remarkably high/creepy note if needed. It sounds remarkably similar to the slow songs on Linkin Park's new album "Minutes To Midnight". The chorus is one of those songs that one can picture any girl falling in love with and singing at the top of her lungs in her room. This song fits in with the mood of the album about standing out in the crowd, fighting the monotony of silence and despair, and being something special. Not my personal favorite, but still a very solid entry. 8.5/10
6. Sand Riders Doomsday- Apart from having a very creative name, the instrumental beginning really testifies to the group's adversity, as does the chorus, which would make even Patrick Stump cringe with jealousy for not thinking of it first. The vocals for the chorus are once again highly appealing, and the electronic supplement gives this song a unique feel. This song would be the most stylish on the album if not for the next song.... 8.5/10
7. Kaleidoscope- A slow beginning gives way to the catchiest chorus on the album. Lyrically this is as good as it gets, and just the entire sound of this song is incredibly stylish, especially when the trumpets kick in. I can't really describe this song any further because you really just need to listen to it to understand how cool it is. 10/10
8. All Of You- As if these guys didn't have enough variety, now fans get a chance to hear a slow song. A beginning that may remind some of Hellogoodbye, but certainly proves to be a little more heartfelt. Aiello's softer vocals are a highlight of the song, and the lyrics are simply romantic. A very sweet song that is perfect if you're looking for a song to fall asleep to. 9.5/10
9. On The Wire- The beginning of this song certainly reveals the band's experimental qualities until the chorus hits which is just incredibly likable. The repetition of "the rain the rain the rain the rain"/"the pain the pain the pain the pain" may be seen by some as unappealing, but it my opinion it makes the song that much better. A solid rock song with a good build-up leading into the final chorus that mixes it up a little bit, keeping the song from being repetitive. A very good entry. 9/10
10. Desert- A sweet blend of guitar and trumpets kicks this song off right, and Ryan Muir's vocals to begin is a nice change-up. The instruments are seen throughout the song giving it a stylish feel that people who are not even usually rockers will be drawn to. Lyrically solid once again. Not the highlight of the album, but it definitely strengthens its appeal. 9/10
11. Mirage- Another instrumental beginning that is Arabic-esque gives way to a very slow and dramatic chorus. It is a haunting entry in the album that will really speak to some and fail to impress others. Personally, I appreciate the song for what it is, even if it is relatively short. 8/10
12. Convoy Of Angels- As you can tell, this album features some of the most creative and stylish names on any album, but these songs can actually back it up. This song starts off slow and mysterious, but quickly gives way to some guitar riffs that can only be characterized as kickass. The fast-paced strumming and drum beat from Justin Muir allow for another guitar to come in and add even more style. The chorus is awesome lyrically and vocally as well, really accentuating the agony and desperate need for assistance. Not a typical song used to close off an album, but this song tears it up so I really don't care. This song shows off every member of the band, because the vocals, guitar/bass, and drumming are dead on. 10/10
Overall: 111/120
Monty Are I took their great debut and stayed true to who they are as a band while expanding on their sound, which is the definition of a great sophomore effort. They maintain their definition of epic music and add some flair to it. This is for fans of Saosin, rock music, or just great music in general. Join me in recognizing a band that deserves recognition for how awesome they are. This is a unique band that will go places. Next up this week is Pillar's new album, "Confessions". Thanks for tuning in. Rock on.
1. Break Through The Silence- Remember what I said about epic? Apply it here. The first track of "Break Through The Silence" starts off with one of the greatest guitar/bass/drumming throwdowns I've ever heard. A solid and catchy beat that really allows lead singer/guitarist Stephen Aiello's vocals to shine, and guitar/trumpet man Ryan Muir's vocal contributions are a welcome addition as well. The middle of the song shows some intensity with some background synthing from keyboard/trombone man Andrew Borstein. Michael Matarese's bass is great as well. Lyrically, this song conveys a very hopeful message with dynamic execution. 10/10
2. The Stand- I'm not sure why, but the beginning of this song reminds me of Maino's "All The Above" featuring T-Pain. Kinda cool/random tidbit. Another hopeful message is seen here, with a touch of resilience. This is a very accessible song to rock fans, and the constant strumming in the background is pretty cool if you look for it. Aiello's vocals excel in this song as well, and the accompanying background harmonizing is a pretty cool touch. 9.5/10
3. Hope- A song that expresses desperation for hope in a tough time. Another epic start with some awesome guitar schemes. Violins and other instruments also add to the drama of the song, at one point giving it almost an Arabic-themed feel. This is a very cool song with a good message that anyone can rock out to. Oh and I guarantee someone will wet their pants at the end of this song at a live performance. 10/10
4. One In A Million- The first single from Monty Are I has a sort of trippy beginning that picks up speed once the chorus hits. I like the whole idea about being one in a million, but if this song were to receive any criticism, it would be repetitiveness, particularly concerning the background vocals of "I AM..." There is a solid guitar breakdown in the middle of the song that is soon accompanied by some good vocals. The end of the song also features one hell of a musical beatdown. 9/10
5. Making Sounds- A more mellow song in comparison to the last four songs, the song begins with some soft vocals that also proves Aiello can hit a remarkably high/creepy note if needed. It sounds remarkably similar to the slow songs on Linkin Park's new album "Minutes To Midnight". The chorus is one of those songs that one can picture any girl falling in love with and singing at the top of her lungs in her room. This song fits in with the mood of the album about standing out in the crowd, fighting the monotony of silence and despair, and being something special. Not my personal favorite, but still a very solid entry. 8.5/10
6. Sand Riders Doomsday- Apart from having a very creative name, the instrumental beginning really testifies to the group's adversity, as does the chorus, which would make even Patrick Stump cringe with jealousy for not thinking of it first. The vocals for the chorus are once again highly appealing, and the electronic supplement gives this song a unique feel. This song would be the most stylish on the album if not for the next song.... 8.5/10
7. Kaleidoscope- A slow beginning gives way to the catchiest chorus on the album. Lyrically this is as good as it gets, and just the entire sound of this song is incredibly stylish, especially when the trumpets kick in. I can't really describe this song any further because you really just need to listen to it to understand how cool it is. 10/10
8. All Of You- As if these guys didn't have enough variety, now fans get a chance to hear a slow song. A beginning that may remind some of Hellogoodbye, but certainly proves to be a little more heartfelt. Aiello's softer vocals are a highlight of the song, and the lyrics are simply romantic. A very sweet song that is perfect if you're looking for a song to fall asleep to. 9.5/10
9. On The Wire- The beginning of this song certainly reveals the band's experimental qualities until the chorus hits which is just incredibly likable. The repetition of "the rain the rain the rain the rain"/"the pain the pain the pain the pain" may be seen by some as unappealing, but it my opinion it makes the song that much better. A solid rock song with a good build-up leading into the final chorus that mixes it up a little bit, keeping the song from being repetitive. A very good entry. 9/10
10. Desert- A sweet blend of guitar and trumpets kicks this song off right, and Ryan Muir's vocals to begin is a nice change-up. The instruments are seen throughout the song giving it a stylish feel that people who are not even usually rockers will be drawn to. Lyrically solid once again. Not the highlight of the album, but it definitely strengthens its appeal. 9/10
11. Mirage- Another instrumental beginning that is Arabic-esque gives way to a very slow and dramatic chorus. It is a haunting entry in the album that will really speak to some and fail to impress others. Personally, I appreciate the song for what it is, even if it is relatively short. 8/10
12. Convoy Of Angels- As you can tell, this album features some of the most creative and stylish names on any album, but these songs can actually back it up. This song starts off slow and mysterious, but quickly gives way to some guitar riffs that can only be characterized as kickass. The fast-paced strumming and drum beat from Justin Muir allow for another guitar to come in and add even more style. The chorus is awesome lyrically and vocally as well, really accentuating the agony and desperate need for assistance. Not a typical song used to close off an album, but this song tears it up so I really don't care. This song shows off every member of the band, because the vocals, guitar/bass, and drumming are dead on. 10/10
Overall: 111/120
Monty Are I took their great debut and stayed true to who they are as a band while expanding on their sound, which is the definition of a great sophomore effort. They maintain their definition of epic music and add some flair to it. This is for fans of Saosin, rock music, or just great music in general. Join me in recognizing a band that deserves recognition for how awesome they are. This is a unique band that will go places. Next up this week is Pillar's new album, "Confessions". Thanks for tuning in. Rock on.
Three Days Grace: Life Starts Now Review
To start off week number two of my awesome rock reviews, I must begin on a sad note. By evil luck comparable only to that of Odysseus holding a black cat and an open umbrella whilst walking 'neath a ladder and stepping upon a mirror with one foot and a crack in the pavement with the other, my review for Boys Like Girls was deleted from my blog. Although the new album from Boys Like Girls was a disappointment in my opinion, the review itself was very insightful, it represented a good hour of writing and three-four hours of listening to that album, and I received a lot of feedback that is now lost into the deep chasms of deleted internet stuff. So let us have a moment of silence for the death of one of my reviews, and question why computers don't always ask you if the action you clicked on is actually the action you want to perform just to double check that you aren't doing something stupid........Ok. Now wipe your tears, and get ready for a review for Three Days Grace's new album, Life Starts Now.
Emotional. Contemplative. Insightful. Heartwarming. These are all words that have absolutely nothing to do with Three Days Grace. Or at least, they didn't used to be. Three Days Grace's 2003 debut, "Three Days Grace", was an aggressive, moody, and gothic album that featured heavy musical breakdowns, intense vocals, and dark borderline-depressing lyrics, making it a fan favorite, because although the 2006 follow-up "One-X" was a very impressive sophomore effort, it lacked that certain "X factor" that the first effort had. Like Jet's "Shine On", "One-X" was a highly underrated album that also branched in another direction lyrically. Unlike the first album, this one included one or two songs that conveyed messages of hope amidst the darkness that descended from every other track. "Life Starts Now" definitely branches into that similar direction, but fear not Three Days Grace fans! Your band still has its share of darkness to its songs, but this time, they also choose to include slow songs as well as songs that can almost be considered mainstream, and there are more songs with messages of hope, rather than constant despair. Many of you who love 3DG's hardcore qualities may be looking at these words with pure disgust, but believe me when I say that this subtle transition from completely one-dimensional (albeit awesome) harder rock to more variety marks the band's maturity and even though I do not consider this album their best work, it still is a solid entry in 3DG's discography.
1. Bitter Taste- 3DG knows how to please its traditional fans still, and don't you forget it, readers. The first song off their new album is a typical song that would fit in extremely well with their debut, but even more so with "One-X" because of the creeping, chugging guitar riffs from lead guitarist Barry Stock that characterize the song. There is some extraordinary guitar/bass work in the middle of the song that really shows off Barry's, Adam Gontier's, and bassist Brad Walst's skills, especially because of how well the guitars harmonize. A solid drumming scheme really adds to the slinking, skulking mood of the song, and Adam's vocals do not disappoint fans of his ferocious roaring that somehow is still classified as singing. Great lyrics likening a person's negative influence to a bitter taste really allow the band to stick to their guns. 9.5/10
2. Break- Their first single was called great progressive work by some, and ok music that moves away from their traditional direction by others. I personally think this song is very good and epitomizes what a good rock anthem should be in the tradition of: "Everybody throw a fist in the air against the establishment and let's go wreak some havoc." There is a very catchy guitar pattern that repeats throughout the song, making it radio-worthy. The Motion-City-Soundtrack-esque electric guitar also adds a nice touch to the typical 3DG guitar that anyone can identify with the group. More throwdowns here accompanied by a great guitar solo in the middle. Very solid work. 10/10
3. World So Cold- A heavy beginning with shrill background guitar that gives way to a heavy yet slow chorus. The drama of the song relies mainly on the lead singer's apparent struggle and lyrics that will really speak to some people, especially those dealing with losing someone, which makes the world appear so barren and cold. There is some haunting electronic interference with Adam's voice in a slower part of the song that gives way to another rocking chorus. I was surprised this is the most popular song from the new album on Itunes, but this isn't bad, even if it is very similar to "World So Cold" by 12 Stones. 9/10
4. Lost In You- For those of you who are about to listen to this song for the first time, brace yourself. There's no need to double-check your I-Pod upon listening to this song for the first time, this is really Three Days Grace. But don't hit that fast-forward button just yet. Even though this song is the first of its kind, and very slow and uplifting, it is actually a very successful first attempt at songs of this genre. The lyrics can only be described as cute, because the sentiments conveyed here are simply romantic. It is what it is. This is a close to mainstream as they will ever get, and they get pretty damn close. Which I don't think is a bad thing in this case. Not what traditional fans are expecting, but give this new variety a shot first before you dismiss it. Nice work, 3DG. Just don't ever do it again. 9/10
5. The Good Life- This song shows a sign of growing maturity: Three Days Grace is having fun with their music and actually showing it. This song is about having a share of "the good life" and is a lot of fun all-around. With a guitar scheme akin to Sick Puppies, this song is extremely catchy and the use of background harmonizing vocals adds to this notion. This song's heavy instrument accompaniment classifies it as classic 3DG, but listening to the song as a whole, it is a whole new brand of music that involves being universally accessible to listeners and having fun with this tempting idea of being rich and partaking of the good life. One can even hear Adam give a "Whoo!" near the end of the song! What the hell? 9.5/10
6. No More- A darker and more mellow song that is similar to older albums lyrically, but not necessarily so in execution. Adam's blaring vocals are shown off here, but this song doesn't really connect with me. The verses have some more background vocals that don't really enhance the mood or the background instruments. Some will find this song to be brilliant but I think this song's lyrics surpass the sound too much for the whole song to come together and be something interesting. 7.5/10
7. Last To Know- The first time I heard this song, the piano drew me in immediately. This is an emotional rock ballad that is heartfelt, genuine, and powerful. This piano from drummer Neil Sanderson is simply beautiful, and Adam's soft vocals that transition into high notes and also milder roars pack even more emotion into the song. The lyrics are beautiful as well, and listeners will find their heart beating faster when the song begins to build up into its crescendo, beginning with a slow entrance of acoustic guitar that later introduces shrill electric guitar and then drums that allow the song to transition into more dramatic territory and sets the mood. The closing piano and haunting lyrics of "And when she leaves you for dead, you'll be the last to know" allow for a perfectly chilling ending to a great song. The best song on the album, defying the odds as a slow song from a group that does not specialize in this area. 10/10
8. Someone Who Cares- Bland lyrics mixed with an average sound diminish this song's potential. There are some good underlying ideas here, but none of them are powerful enough to emerge from a sea of mediocrity in the ocean of songs. Repetitive choruses are broken up by a solid throwdown in the middle of the song and a good guitar scheme at the end, but this is not enough to raise this song's appeal. 8/10
9. Bully- Great lyrics that are not really matched with the right sound so as to display the drama conveyed within. A heavier song that is disappointing because it fails to raise any excitement. The guitar, bass, and drums are all solid, especially in the middle, but this would be one of the songs on an older album that is good and certainly listened to, but does not stir any further attraction to the band's sound as a whole. 8/10
10. Without You- An unappealing guitar beginning and verses give way to a slower chorus that almost seems akin to blues rock, which is a step away from conventional 3DG once again. Lyrically, this has some good ideas going for it, and there is a very good guitar solo in the middle of the song that will make Guitar Hero fans hopeful for a transition from CD to game, but in the long run, there are better places to look than here. 7.5/10
11. Goin' Down- An eerie guitar resonates in the beginning of this song, and listeners are almost drawn into thoughts of great Halloween memories, but then the rocking chorus kicks in, knocking them out of nostalgia. This is not as creepy as "Let You Down" off of "Three Days Grace", because the message of the song is "I'm going to take you down", and once again, you can hear Adam not only give a "Whoo!" but also hear him laughing. Here we see Three Days Grace having fun, but not necessarily executing the premise of the song as well as they should have. 8/10
12. Life Starts Now- This song doesn't really emulate the characteristics that usually constitute a final track on an album, but it still is solid. Lyrically, this is almost as good as it gets (only overshadowed by "Last To Know"), and the chorus is very appealing in its hopeful message that can only be seen amidst the sorrowful tone that typifies the song. This involves moving beyond pain and strife and starting over, recognizing how far one has come through struggles, and being determined in the face of all this to do better. This is a great song that doesn't really fit the mold of a closer track, but it still very good nonetheless. 9/10
Overall: 105/120
Some traditional Three Days Grace fans will be disappointed that they won't be rocking out as hard as they are accustomed to, but this CD is still worth listening to and has a lot to offer if given the chance. While the band's transition into more hopeful themes along with mainstream and slower songs may be seen as unwelcome by some, they execute it well and there is no question that this group still knows how to rock, and rest assured, I have a feeling that when Three Days Grace returns for round four, they will be ready to shatter some eardrums once more. Next up this week will be Monty Are I. Thanks for tuning in. Rock on.
Emotional. Contemplative. Insightful. Heartwarming. These are all words that have absolutely nothing to do with Three Days Grace. Or at least, they didn't used to be. Three Days Grace's 2003 debut, "Three Days Grace", was an aggressive, moody, and gothic album that featured heavy musical breakdowns, intense vocals, and dark borderline-depressing lyrics, making it a fan favorite, because although the 2006 follow-up "One-X" was a very impressive sophomore effort, it lacked that certain "X factor" that the first effort had. Like Jet's "Shine On", "One-X" was a highly underrated album that also branched in another direction lyrically. Unlike the first album, this one included one or two songs that conveyed messages of hope amidst the darkness that descended from every other track. "Life Starts Now" definitely branches into that similar direction, but fear not Three Days Grace fans! Your band still has its share of darkness to its songs, but this time, they also choose to include slow songs as well as songs that can almost be considered mainstream, and there are more songs with messages of hope, rather than constant despair. Many of you who love 3DG's hardcore qualities may be looking at these words with pure disgust, but believe me when I say that this subtle transition from completely one-dimensional (albeit awesome) harder rock to more variety marks the band's maturity and even though I do not consider this album their best work, it still is a solid entry in 3DG's discography.
1. Bitter Taste- 3DG knows how to please its traditional fans still, and don't you forget it, readers. The first song off their new album is a typical song that would fit in extremely well with their debut, but even more so with "One-X" because of the creeping, chugging guitar riffs from lead guitarist Barry Stock that characterize the song. There is some extraordinary guitar/bass work in the middle of the song that really shows off Barry's, Adam Gontier's, and bassist Brad Walst's skills, especially because of how well the guitars harmonize. A solid drumming scheme really adds to the slinking, skulking mood of the song, and Adam's vocals do not disappoint fans of his ferocious roaring that somehow is still classified as singing. Great lyrics likening a person's negative influence to a bitter taste really allow the band to stick to their guns. 9.5/10
2. Break- Their first single was called great progressive work by some, and ok music that moves away from their traditional direction by others. I personally think this song is very good and epitomizes what a good rock anthem should be in the tradition of: "Everybody throw a fist in the air against the establishment and let's go wreak some havoc." There is a very catchy guitar pattern that repeats throughout the song, making it radio-worthy. The Motion-City-Soundtrack-esque electric guitar also adds a nice touch to the typical 3DG guitar that anyone can identify with the group. More throwdowns here accompanied by a great guitar solo in the middle. Very solid work. 10/10
3. World So Cold- A heavy beginning with shrill background guitar that gives way to a heavy yet slow chorus. The drama of the song relies mainly on the lead singer's apparent struggle and lyrics that will really speak to some people, especially those dealing with losing someone, which makes the world appear so barren and cold. There is some haunting electronic interference with Adam's voice in a slower part of the song that gives way to another rocking chorus. I was surprised this is the most popular song from the new album on Itunes, but this isn't bad, even if it is very similar to "World So Cold" by 12 Stones. 9/10
4. Lost In You- For those of you who are about to listen to this song for the first time, brace yourself. There's no need to double-check your I-Pod upon listening to this song for the first time, this is really Three Days Grace. But don't hit that fast-forward button just yet. Even though this song is the first of its kind, and very slow and uplifting, it is actually a very successful first attempt at songs of this genre. The lyrics can only be described as cute, because the sentiments conveyed here are simply romantic. It is what it is. This is a close to mainstream as they will ever get, and they get pretty damn close. Which I don't think is a bad thing in this case. Not what traditional fans are expecting, but give this new variety a shot first before you dismiss it. Nice work, 3DG. Just don't ever do it again. 9/10
5. The Good Life- This song shows a sign of growing maturity: Three Days Grace is having fun with their music and actually showing it. This song is about having a share of "the good life" and is a lot of fun all-around. With a guitar scheme akin to Sick Puppies, this song is extremely catchy and the use of background harmonizing vocals adds to this notion. This song's heavy instrument accompaniment classifies it as classic 3DG, but listening to the song as a whole, it is a whole new brand of music that involves being universally accessible to listeners and having fun with this tempting idea of being rich and partaking of the good life. One can even hear Adam give a "Whoo!" near the end of the song! What the hell? 9.5/10
6. No More- A darker and more mellow song that is similar to older albums lyrically, but not necessarily so in execution. Adam's blaring vocals are shown off here, but this song doesn't really connect with me. The verses have some more background vocals that don't really enhance the mood or the background instruments. Some will find this song to be brilliant but I think this song's lyrics surpass the sound too much for the whole song to come together and be something interesting. 7.5/10
7. Last To Know- The first time I heard this song, the piano drew me in immediately. This is an emotional rock ballad that is heartfelt, genuine, and powerful. This piano from drummer Neil Sanderson is simply beautiful, and Adam's soft vocals that transition into high notes and also milder roars pack even more emotion into the song. The lyrics are beautiful as well, and listeners will find their heart beating faster when the song begins to build up into its crescendo, beginning with a slow entrance of acoustic guitar that later introduces shrill electric guitar and then drums that allow the song to transition into more dramatic territory and sets the mood. The closing piano and haunting lyrics of "And when she leaves you for dead, you'll be the last to know" allow for a perfectly chilling ending to a great song. The best song on the album, defying the odds as a slow song from a group that does not specialize in this area. 10/10
8. Someone Who Cares- Bland lyrics mixed with an average sound diminish this song's potential. There are some good underlying ideas here, but none of them are powerful enough to emerge from a sea of mediocrity in the ocean of songs. Repetitive choruses are broken up by a solid throwdown in the middle of the song and a good guitar scheme at the end, but this is not enough to raise this song's appeal. 8/10
9. Bully- Great lyrics that are not really matched with the right sound so as to display the drama conveyed within. A heavier song that is disappointing because it fails to raise any excitement. The guitar, bass, and drums are all solid, especially in the middle, but this would be one of the songs on an older album that is good and certainly listened to, but does not stir any further attraction to the band's sound as a whole. 8/10
10. Without You- An unappealing guitar beginning and verses give way to a slower chorus that almost seems akin to blues rock, which is a step away from conventional 3DG once again. Lyrically, this has some good ideas going for it, and there is a very good guitar solo in the middle of the song that will make Guitar Hero fans hopeful for a transition from CD to game, but in the long run, there are better places to look than here. 7.5/10
11. Goin' Down- An eerie guitar resonates in the beginning of this song, and listeners are almost drawn into thoughts of great Halloween memories, but then the rocking chorus kicks in, knocking them out of nostalgia. This is not as creepy as "Let You Down" off of "Three Days Grace", because the message of the song is "I'm going to take you down", and once again, you can hear Adam not only give a "Whoo!" but also hear him laughing. Here we see Three Days Grace having fun, but not necessarily executing the premise of the song as well as they should have. 8/10
12. Life Starts Now- This song doesn't really emulate the characteristics that usually constitute a final track on an album, but it still is solid. Lyrically, this is almost as good as it gets (only overshadowed by "Last To Know"), and the chorus is very appealing in its hopeful message that can only be seen amidst the sorrowful tone that typifies the song. This involves moving beyond pain and strife and starting over, recognizing how far one has come through struggles, and being determined in the face of all this to do better. This is a great song that doesn't really fit the mold of a closer track, but it still very good nonetheless. 9/10
Overall: 105/120
Some traditional Three Days Grace fans will be disappointed that they won't be rocking out as hard as they are accustomed to, but this CD is still worth listening to and has a lot to offer if given the chance. While the band's transition into more hopeful themes along with mainstream and slower songs may be seen as unwelcome by some, they execute it well and there is no question that this group still knows how to rock, and rest assured, I have a feeling that when Three Days Grace returns for round four, they will be ready to shatter some eardrums once more. Next up this week will be Monty Are I. Thanks for tuning in. Rock on.
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