Paramore's latest album is definitely a step in a new direction. If you're wondering if this is a good thing or not, I honestly can't really tell you; it comes down to a matter of your opinion on what this band's best is. Their 2005 debut record, "All We Know Is Falling" was more of a solid rock album that garnered them some popularity, which was completed with the great hits of 2007's "Riot!". So while some will view this new record as the band's maturing, or a re-establishment of themselves as actual artists, not just radio/chart-topping single-mongers. Because this new album really doesn't have that many radio-worthy songs, just good rock songs. This is an album made for Paramore fans, not casual listeners who tend to follow the general population's taste in music. This is not to say that the new album is bad, it's just different. I personally prefer "Riot!" because although some fans will say it was too mainstream-oriented, the truth is that "Riot!" was just a great album that appealed to a larger audience; their music didn't change and still embodied the energetic and fun nature of their music, and it just packs more of a punch. Their last album seems to have more feel to it, both lyrically and musically. A lot of the fun that came with listening to Paramore was generated due to their clever and outspoken music, but this new effort is more reflective mellow as a whole. The album shines when it shows glimpses of its old spunk and energy, but tends to disappoint when things slow down. Lead singer Haley Williams' vocals stand out once again, but I don't think the band utilized the talent of the other musicians as well as "Riot!" or "All We Know Is Falling". Zae Farro's drums are the closest second here, but I don't think there was a chance for this drummer's talents to really stand out. It is true that there are some tracks where the recognizable Paramore guitars kick in and do their part, but these small sections are limited by the album as a whole. I see a lot of untapped potential not only in bassist Jeremy Davis and guitarists Josh Farro and Taylor York, but in "Brand New Eyes" overall. This is not the album Paramore fans were waiting for or expecting, but I'm not ready to jump on the "this album is awesome, it shows Paramore's maturity and their love for music" bandwagon along with a lot of the other Paramore fans just yet. I'll be waiting patiently for a return to their roots, because while this new effort shows a more mature side, Paramore is known for being fun to listen to, and that's what they do best.
1. Careful- This is more along the lines of what Paramore fans were expecting in terms of actual rock music. The drums shine brightest here, and Haley's vocals are impressive as well, even though I don't particularly care for her bellows of the word "more". The guitar and bass are spot on here as well, but the lyrics aren't really anything to write home about. A solid beginning track, but it would have been better if it this style had been further explored and expanded upon throughout the album. 9.5/10
2. Ignorance- The first single from Paramore that is the closest thing to radio-worthiness. The lyrics are the most noteworthy on the album, but do not come anywhere close to the mark reached by "Riot!" That being said, this is still a catchy song and could be considered a typical Paramore song. I didn't really care for the melody of the chorus at first, but it really grew on me, and for someone who didn't like it at first, I can only imagine how much people who are initially hooked will like this song. Best song on the album. 9.5/10
3. Playing God- This song marks the turning point of the album, and really, the turning point of Paramore's music in general. That's not to say there weren't songs of this type in the past, but the impact of this type of song can be seen throughout the rest of the CD. Keeping that in mind, I actually like this song a lot. The guitar and bass is very laid-back, chill, and reminds listeners of how relaxing music can be. Haley's vocals are great, and the lyrics of the chorus are good, dealing with someone playing God and being hypocritical, but they are lacking in the witty one-liners that helped put them on the map. A very good song, just not what one would expect from Paramore three tracks in. 9.5/10
4. Brick By Boring Brick- This track doesn't really know what it wants to be, having an upbeat rhythm in the beginning accompanied by a more relaxed.....everything else. Then for the chorus, everything switches, and while the chorus is pleasant in its own right, the calm music doesn't really match up with Haley's fervent screaming. And the "Ba da ba ba da ba ba da" is annoying to be honest. This is not really my thing, but it might appeal to some. Lyrically, I have no idea what this damn song is about, it's all just a bunch of fancy words meant to draw people in but don't make sense and rely on the use of "Ba da ba ba da ba ba da"s. An ok song, but in the grand scheme of things, a waste of track space. 7.5/10
5. Turn It Off- Another mellow song, but they actually execute this one quite well. This would be right at home on one of their older CDs as a change of pace from the normal aggressive tracks. The guitar and bass are pleasant here, and despite the fact that the song has a slower tempo, the drums still give listeners glimpses of skill. The vocals are simply induce feelings of sweetness in the verses, and the lyrics, while only dealing with one metaphor, are not bad. Once again, trading in witty and punkish lyrics and sound for deeper and more mature music. While I don't appreciate what this song represents as a whole for the band, I can't deny it is a great song 9.5/10
6. The Only Exception- The first song that actually crosses over from mellow territory into legitimate slow, acoustic lands. For the first three minutes or so, there isn't anything other than Haley's voice, and acoustic guitar, and a tambourine in the background, and while the lyrics don't evoke a lot of thought processing from a listener, that's not the point of the song, and the idea that is expressed about someone being an exception to the rest of the disappointments of love is a very solid base. Some will not really care for Haley's lower and deeper voice during the chorus, but I think it works, and when the drums come in to finish off the song, the listener is left with something enjoyable. 9.5/10
7. Feeling Sorry- Closer to the punk rock fans are used to, but the truth is, this is more alternative rock than anything. This song also continues the streak of dabbling in pleasantry rather than delivering substantial, but this song isn't bad either. The guitar has a good rhythm to it, and the chorus reinforces the mood set up by it. Lyrically sound, and it could fit in with a previous Paramore album, but once again, only as a track whose purpose is to give the album a break from the normal and deliver a strike in the form of a change of pace. It doesn't really work as an effective change of pace if this is the pace of the whole record. 9/10
8. Looking Up- A positive song that has some good guitar and shows some promise on the drums, but if you're not careful, you will mistake this track and the last one as one song, because they are pretty similar. I like this song, but it is so similar to the track that precedes it, its value is kind of diminished, despite the fact that the closing lyrics about the band itself are uplifting and shed some light on the song as a whole. 9/10
9. Where The Lines Overlap- Another mellow yet upbeat song that screams alternative rock. However, after two consecutive songs of the same genre, this song is sure to get lost in the shuffle, and while I would normally oppose such a thought, I'm not sure I really mind that much. This isn't a bad song; it just doesn't stand out and doesn't really have anything special to offer. Lyrically simplistic and pretty intangible for listeners to relate to comparatively, this song shows Paramore having fun and loving their music and what they do, but I think if they had expressed it in a way fans are used to, it would have been better understood. 8/10
10. Misguided Ghosts- This song is just downright different. Haley has never sung like this before, and she has never sung about anything like this before either. The acoustic guitar is agreeable enough, and the rhythm is enjoyable and relaxing, but I just don't really click with this song for some reason. Despite its length being three minutes, it goes by extremely fast and kind of undermines its lasting effect. I would be incredibly relaxed if I was sitting around a campfire and Haley Williams suddenly just appeared and pulled out a guitar and started playing (and not just because she's hot), but other than that, this song doesn't really reach out and grab my attention. 8.5/10
11. All I Wanted- Great guitar in the beginning along with soothing vocals from Haley accompanied by bass picks up tempo and shows off some rock power that hasn't been seen since the beginning of the album. This is a more dramatic song that makes people realize Haley still knows how to scream with the best of them (especially at the 2:45 mark and on), and that this group still knows how to rock. There is a lot of raw emotion that is translated well into great music, even if the lyrics are slightly bland and simple. A solid finisher however. 9.5/10
Overall: 99/110
This newest Paramore album is not bad, and certainly one can understand why the title "Brand New Eyes" is appropriate, because this is not the same Paramore fans are used to, and to be honest, I don't think this is the Paramore that Paramore is used to. One can tell that the band was really into the music they created this time around, but it doesn't translate well into something that the fans will enjoy as much as last time. Paramore fans will be appeased for now, but don't be surprised if you find yourself rocking out to "Riot!" or "All We Know Is Falling" a few weeks from now. This is enjoyable music, but this isn't the aggressive, clever, fun Paramore rock that fans identify with the band, but I guarantee you I will be awaiting their next outing an anxious, excited anticipation to see where they go from here. That's it for Paramore, coming this week will be Mayday Parade and Relient K. Thanks for tuning in. Rock on.
Monday, September 28, 2009
Breaking Benjamin: Dear Agony Review
Breaking Benjamin is a band that I find hard to describe because the word "consistent" doesn't really do them justice. These guys aim for perfection and top their last effort every time they make an album, and they get pretty damn close every single time. Their sound stays the same but they expand on it and make it better with each outing. "Phobia" marked the band's crowning achievement, despite some fans believing their debut "Saturate" was their best work. "Phobia" may not have been the hard rocker that "Saturate" was, nor was it the sort of great middle ground "We Are Not Alone" was, but it had such an incredible mood and maturity to it that really defined this group as truly great. So now 2009 sees the arrival of "Dear Agony", and if you love Breaking Benjamin like me, you might be anxiously hopeful that this album does "Phobia" justice and that it delivers in true Breaking Benjamin fashion. It is important to note that while this new installment does not reach the mark of perfection that their last effort achieved, all you Benheads out there should not be disappointed with this new album, not because it does not live up to expectations, but because "Phobia" was one of the greatest albums ever made. I need to clarify why I say this and why it is important when reviewing "Dear Agony": I do not say this because I like Breaking Benjamin, but because there were incredible concepts that were invoked into the music perfectly by incredible guitar along with heavy throwdowns of drums and bass that are just incomparable to any other band. Lead singer, songwriter, composer, and guitarist Benjamin Burnley is one of the greatest musical geniuses of our time (Sorry, Kanye), the work this group achieved with "Phobia" is truly incredible to behold because each dark and brooding track on the album personifies the album and it is an album that is alive with character and a beating heart. Benjamin Burnley has struggled with drinking for awhile now, and while in the past he has used this drinking problem to inspire him to write the great music we have seen the past few years, this is the first album that he has written completely sober While "Phobia" was the type of music that delves into people's inner emotions and thoughts and reflects the hope in all of our hearts that is accompanied by the depressing and negative aspects of our lives as well, "Dear Agony" comes close to this mark, but doesn't quite get there. "Dear Agony" is a great album, and I am not disappointed with the effort put forth here because I cannot expect absolute perfection to be repeated from any human being. So while coming up short of "Phobia", Breaking Benjamin, once again, does not fail to deliver.
1. Fade Away- One hell of a start. The opening lines of the song set the mood for the song, even though not necessarily for the whole album. This song could have fit in very well with any Breaking Benjamin album, and it reminds anyone who calls this album too soft that these guys still know how to do what they do best. A great example of what happens when you combine chilling lyrics about fading out of existence that are perfectly vocalized (alternating between Benjamin's soft cooing and his harder screams, which are utilized to create a dark mood) and dramatic guitars from Aaron Fink and Benjamin Burnley, with a great bass line from Mark James and the heavy drumming of Chad Szeliga. The perfect lead-off track and a great song to rock out to. 10/10
2. I Will Not Bow- The first single of the album, which can be seen in Surrogates, epitomizes the notion that these guys write music that evokes both hope and desperation at the same time. This is a dark song that rallies courage in people's hearts in the face of darkness. This song qualifies as one of the top five Breaking Benjamin songs, and that is saying something extraordinary. This is lyrically as strong as it will ever get from any songwriter, and the heavy rocking out in the background only adds to the drama. Starting off with a scream quickly establishes the premise that some wickedly serious shit is about to go down, and the song does not disappoint. Extremely catchy, superb singing and screaming, awesome guitar schemes in the background, heavy drums, a sick guitar solo and musical breakdown make for a perfectly executed song, the best song on the album, and the best song I have had the privilege of reviewing thus far. Even if you do not particularly care for Breaking Benjamin, check this song out at the very least. 10/10
3. Crawl- A heavy beginning give way to softer verses that show intentions of picking up in order to draw the audience's attention in, which works perfectly and certainly satisfies once the screaming and the chorus begin. Great guitar fretwork here and drumming that (in the words of the immortal Ron Burgundy) keeps it splashy on the cymbals. Here is an example of a song that not only shows off the group's incredible heavy rock talent, but also the way that Ben's voice simply adds drama and feel to any song. They work together to enhance the song and make something memorable. A heavy rocker that testifies to their talent as heavy rockers. The creepy lyrics also add to the style of the song. 9.5/10
4. Give Me A Sign- The first slow song, akin to "Here We Are", really reveals the talent that Breaking Benjamin has never fully shown in this genre of rock. Ben's vocals are appropriately soft and melodic, and the guitars add the touch of beauty necessary for any rock ballad. This song is about looking for a sign from God or perhaps someone you care deeply about. This heartfelt entry in the Breaking Benjamin does not dwell in the realm of the familiar, but it is most certainly welcome and worth paying a visit. The build-up to the crescendo is simply awesome and really classifies this song as a great accomplishment. 9.5/10
5. Hopeless- As the song title suggests, there is no hopeful underlying message to be had here. This is a typical BB song that starts off medium-paced and builds up into a screaming, heavy guitar and drums rock-fest that "Saturate" fans will certainly appreciate. I think this song really displays Chad's talent on the drums. This is a very good song for harder rockers, especially when the breakdown hits, which is just plain cool. Nothing extremely out of the ordinary here, but certainly a great addition. 9/10
6. What Lies Beneath- A slow and ominous beginning gives way to the second slow song on the album, although calling these songs "slow" doesn't really do them justice because of how intense and emotionally-charged they are. Lyrically this is a compelling song about finding out that the person you're with is not so pleasant. At first I thought the aggressive lyrics didn't really correspond with the slow ballad, but then I realized the desperation lies in the fact that the person will be in that position forever. And it can also be seen when Ben's soft voice suddenly switches to a pure scream. Until that point I didn't really understand but once you get that down you can sit back and enjoy a solid song. 9/10
7. Anthem Of The Angels- The third slow song on the album, which is actually a slow song this time. This song is about letting go and is presented in a melancholy, almost chilling way that is sure to capture attention. This song is simply an epic installment of Breaking Benjamin that is heartfelt and powerful. I don't have much to say about this song, everything is spot-on; from the guitars and bass to the drums to the vocals; this is as good as rock ballads get. 10/10
8. Lights Out- A return to more aggressive music accompanied by some quality screaming and strumming is timed well in terms of the album as a whole. Haunting lyrics really give this song style, because after you look at them, you are just inspired to go out and lay somebody out. Great pump-up song that harder Benheads will be grateful for. 9/10
9. Dear Agony- The title track of the album certainly lives up to standard of what a title track should be. Another rock ballad that is one of the most emotionally powerful songs I've heard in a long time. This is a song begging for mercy from the idea of agony, voicing all of our everyday struggles with our own inner demons, and it is executed perfectly, injecting both despair and remorse with hope. This song is probably second only to "I Will Not Bow", and maybe "Fade Away" depending on your mood. But this great reflective and contemplative song really is the band's crowning achievement as far as slower songs are concerned. Well done. 10/10
10. Into The Nothing- This is probably my least favorite track on the album, and even this song does not fail to impress. Lyrically, this song is focused on making it out alive. Breaking Benjamin once again displays their knack for bringing the music they are playing together with the words and molding them together in order to characterize feelings and emotions of life itself. A solid track, even if there are better ones to be heard here. 8.5/10
11. Without You- The final song on the track is a rock ballad that is more fast-paced than its predecessors, but I think this song closes the album very effectively. Ben's vocals are right on the money here, and the chorus is just great to listen to. Lyrically it's all about not being able to face darkness without either God or without someone crucial to survival. The crescendo and the closing minute and a half are just epic, and an appropriate way to close, especially concerning the closing lyrics and violins that kick in. Great finish. 9.5/10
Overall: 104/110
This is not the best Breaking Benjamin album ever made. But it's pretty damn close. And that's good enough for me. And if it's good enough for me, someone who has very high standards and expectations from a band that never fails to deliver, a band that continually shows increasing maturity with every outing, a band that it should epitomizes how expressive and influential music can be for people, then it should be good enough for all Breaking Benjamin fans, and my words should draw in anyone else who likes good rock music. This band will be remembered long after their time is done, and effort and emotion like this is the reason why. I normally don't focus as much on the underlying ideas of a new album's music, but you really can't help being drawn in when you listen to this: it draws you in with the fact that it's great music, and then you become aware of the great lyrics, brains, and emotions behind it all, and you can't help but be amazed. Despite not being as long as I would have liked, listening to this album over and over is something you will find yourself doing. Don't fight it. Just give in and appreciate this superb album. It's no surprise to see why they are number one selling album on Itunes, and I believe this to be one of the best of 2009. Later on this week will be Paramore. Thanks for tuning in. Rock on.
1. Fade Away- One hell of a start. The opening lines of the song set the mood for the song, even though not necessarily for the whole album. This song could have fit in very well with any Breaking Benjamin album, and it reminds anyone who calls this album too soft that these guys still know how to do what they do best. A great example of what happens when you combine chilling lyrics about fading out of existence that are perfectly vocalized (alternating between Benjamin's soft cooing and his harder screams, which are utilized to create a dark mood) and dramatic guitars from Aaron Fink and Benjamin Burnley, with a great bass line from Mark James and the heavy drumming of Chad Szeliga. The perfect lead-off track and a great song to rock out to. 10/10
2. I Will Not Bow- The first single of the album, which can be seen in Surrogates, epitomizes the notion that these guys write music that evokes both hope and desperation at the same time. This is a dark song that rallies courage in people's hearts in the face of darkness. This song qualifies as one of the top five Breaking Benjamin songs, and that is saying something extraordinary. This is lyrically as strong as it will ever get from any songwriter, and the heavy rocking out in the background only adds to the drama. Starting off with a scream quickly establishes the premise that some wickedly serious shit is about to go down, and the song does not disappoint. Extremely catchy, superb singing and screaming, awesome guitar schemes in the background, heavy drums, a sick guitar solo and musical breakdown make for a perfectly executed song, the best song on the album, and the best song I have had the privilege of reviewing thus far. Even if you do not particularly care for Breaking Benjamin, check this song out at the very least. 10/10
3. Crawl- A heavy beginning give way to softer verses that show intentions of picking up in order to draw the audience's attention in, which works perfectly and certainly satisfies once the screaming and the chorus begin. Great guitar fretwork here and drumming that (in the words of the immortal Ron Burgundy) keeps it splashy on the cymbals. Here is an example of a song that not only shows off the group's incredible heavy rock talent, but also the way that Ben's voice simply adds drama and feel to any song. They work together to enhance the song and make something memorable. A heavy rocker that testifies to their talent as heavy rockers. The creepy lyrics also add to the style of the song. 9.5/10
4. Give Me A Sign- The first slow song, akin to "Here We Are", really reveals the talent that Breaking Benjamin has never fully shown in this genre of rock. Ben's vocals are appropriately soft and melodic, and the guitars add the touch of beauty necessary for any rock ballad. This song is about looking for a sign from God or perhaps someone you care deeply about. This heartfelt entry in the Breaking Benjamin does not dwell in the realm of the familiar, but it is most certainly welcome and worth paying a visit. The build-up to the crescendo is simply awesome and really classifies this song as a great accomplishment. 9.5/10
5. Hopeless- As the song title suggests, there is no hopeful underlying message to be had here. This is a typical BB song that starts off medium-paced and builds up into a screaming, heavy guitar and drums rock-fest that "Saturate" fans will certainly appreciate. I think this song really displays Chad's talent on the drums. This is a very good song for harder rockers, especially when the breakdown hits, which is just plain cool. Nothing extremely out of the ordinary here, but certainly a great addition. 9/10
6. What Lies Beneath- A slow and ominous beginning gives way to the second slow song on the album, although calling these songs "slow" doesn't really do them justice because of how intense and emotionally-charged they are. Lyrically this is a compelling song about finding out that the person you're with is not so pleasant. At first I thought the aggressive lyrics didn't really correspond with the slow ballad, but then I realized the desperation lies in the fact that the person will be in that position forever. And it can also be seen when Ben's soft voice suddenly switches to a pure scream. Until that point I didn't really understand but once you get that down you can sit back and enjoy a solid song. 9/10
7. Anthem Of The Angels- The third slow song on the album, which is actually a slow song this time. This song is about letting go and is presented in a melancholy, almost chilling way that is sure to capture attention. This song is simply an epic installment of Breaking Benjamin that is heartfelt and powerful. I don't have much to say about this song, everything is spot-on; from the guitars and bass to the drums to the vocals; this is as good as rock ballads get. 10/10
8. Lights Out- A return to more aggressive music accompanied by some quality screaming and strumming is timed well in terms of the album as a whole. Haunting lyrics really give this song style, because after you look at them, you are just inspired to go out and lay somebody out. Great pump-up song that harder Benheads will be grateful for. 9/10
9. Dear Agony- The title track of the album certainly lives up to standard of what a title track should be. Another rock ballad that is one of the most emotionally powerful songs I've heard in a long time. This is a song begging for mercy from the idea of agony, voicing all of our everyday struggles with our own inner demons, and it is executed perfectly, injecting both despair and remorse with hope. This song is probably second only to "I Will Not Bow", and maybe "Fade Away" depending on your mood. But this great reflective and contemplative song really is the band's crowning achievement as far as slower songs are concerned. Well done. 10/10
10. Into The Nothing- This is probably my least favorite track on the album, and even this song does not fail to impress. Lyrically, this song is focused on making it out alive. Breaking Benjamin once again displays their knack for bringing the music they are playing together with the words and molding them together in order to characterize feelings and emotions of life itself. A solid track, even if there are better ones to be heard here. 8.5/10
11. Without You- The final song on the track is a rock ballad that is more fast-paced than its predecessors, but I think this song closes the album very effectively. Ben's vocals are right on the money here, and the chorus is just great to listen to. Lyrically it's all about not being able to face darkness without either God or without someone crucial to survival. The crescendo and the closing minute and a half are just epic, and an appropriate way to close, especially concerning the closing lyrics and violins that kick in. Great finish. 9.5/10
Overall: 104/110
This is not the best Breaking Benjamin album ever made. But it's pretty damn close. And that's good enough for me. And if it's good enough for me, someone who has very high standards and expectations from a band that never fails to deliver, a band that continually shows increasing maturity with every outing, a band that it should epitomizes how expressive and influential music can be for people, then it should be good enough for all Breaking Benjamin fans, and my words should draw in anyone else who likes good rock music. This band will be remembered long after their time is done, and effort and emotion like this is the reason why. I normally don't focus as much on the underlying ideas of a new album's music, but you really can't help being drawn in when you listen to this: it draws you in with the fact that it's great music, and then you become aware of the great lyrics, brains, and emotions behind it all, and you can't help but be amazed. Despite not being as long as I would have liked, listening to this album over and over is something you will find yourself doing. Don't fight it. Just give in and appreciate this superb album. It's no surprise to see why they are number one selling album on Itunes, and I believe this to be one of the best of 2009. Later on this week will be Paramore. Thanks for tuning in. Rock on.
Tuesday, September 22, 2009
Pillar: Confessions Review
Pillar. The Christian band that not many would know is a Christian band if they were simply listening to their music. Pillar, like Thousand Foot Krutch, has many albums, and there really is no general consensus as to which one is the best because they are all pretty balanced, each having their own strengths and weaknesses. This album is no different, but it doesn't really enhance their legacy. I'm not saying this album is bad; in fact, it is one of their stronger efforts, it just doesn't "wow" me like I was hoping it would, and as any music fan hopes a new record will. Pillar is very consistent and their sound stays pretty much the same, despite the additions of new a new bassist, Rich Gilliland, and a new drummer, Taylor Carroll. Rob Beckley's vocals are still very similar, alternating between regular rock singing/serenading and his own version of harder screeching and wailing, and guitarist Noah Henson can still tear it up, which is also similar to the previous five albums, so it's kind of harder to get extremely excited for this sixth effort unless you are comfortable with staying in the realm of the familiar. This group still rocks out with a vengeance and there are some good themes to their music, but its short length of only ten tracks keeps it from being anything extraordinary. It's good stuff, just not the most revolutionary thing in the world.
1. Fire On The Inside- In my opinion, this song shows a lot of promise but the chorus is kind of a letdown from the intensity of the guitar and drums in the beginning of the song. There is some solid rock out quality here, but the scheme of the chorus doesn't do it justice. Lyrically it is strong talking about the battle that rages between good and evil manifested through man's actions, but as Pillar tends to do, their music is so good and hard that the message will be lost on some. Not as epic as I would have liked because Pillar can do better, but this is still good work. The guitar solo near the end of the solo is very strong as well. 8.5/10
2. Whatever It Takes- This song starts off slow with the intention of building up into something more exciting, and this executed much better. The background vocals also add to the desperate message of the song. This is classic Pillar, and while I was not immediately astounded by this song, it definitely grew on me. There is a session of intensity with some screaming that is not seen that often from Beckley but it is done well and will be sure to please the harder fans. 9/10
3. Secrets And Regrets- The fan favorite of the album so far is more of a mellow song, which is surprising to me, but it is also undeniable that this is a great song. The transition from verses to chorus is not necessarily extravagant, but the chorus itself is solid and pleasing to a crowd. The guitar is also very interesting and will capture some attention. This is not the best song on the album in my opinion, but it is definitely up there, and the lyrics are definitely heartfelt and unique enough to be a sure hit with their fan base. 9.5/10
4. Better Off Now- The song prior to this one delved into more dramatic and mellow tones, this song is more of a bluesy rock song, with stringed instruments in the backdrop used to create a sad and yet uplifting mood. This is a song about trying to get over someone who still holds a special place in a person's heart, but weighs him/her down. This is surprisingly one of the more epic songs on the album when it gets to the crescendo of violins, guitar, and drums, along with Beckley's appropriate vocal intonation. This song is certainly heartfelt as well. 9.5/10
5. Not Without A Fight- A chilling guitar intro starts off a rocking song with great guitar/bass hooks and heavy drums that will quicken anyone's heartbeat. There is some background screaming, and while some may find the amount of screaming both in the background and by Beckley to be excessive, I think it adds to the intensity of the song. This is not a universal rocker, it definitely will only find its place among those lucky enough to appreciate it and find the correlation between the lyrics dripping with resilience and the harder musical presentation. That being said, I love this damn song, and it would fit in nicely with Need For Speed: Underground's soundtrack. I don't say that because I'm a dork, but because songs by Static-X and Lost Prophets on that game are like family here. The best song on the album. 9.5/10
6. Will You Be There- Piano, acoustic guitar, and violins start off a very slow song that is well reflected and enhanced by the softer vocals and the drums. This is a good song for those looking for something to relax them and calm them down. A very good, reflective, and meditative song that picks up a little more intensity near the end, but would be well-recommended for anyone looking for a song with a deeper meaning, profoundly contemplating on the relationship between man and God, or between man and woman as well. 9.5/10
7. Shine- A cover song of Collective Soul's "Shine", which sounds remarkably similar to the original if not for a few subtle differences and a great one that manifests itself later on in the song. This song is certainly stylish enough and one of the strongest tracks here, but it was kind of disappointing to me when I realized that out of only ten songs, nine of them are original. I feel like the wait for this new album should have been shorter based on what's being delivered, but this is still a good song. I would go into detail about how pleasant the lyrics and the guitar/bass/drums schemes are, but I wouldn't really be reviewing Pillar anymore. Except for the guitar solo. This is extremely different, and good Lord can Noah Henson play some guitar. This is what people listen to when they are inspired to pick up and instrument and pretend to be rockstars. This is a solid cover that enhances the song from the original in my opinion because I prefer this guitar solo and Beckley's vocals, but I can only get so excited about it. 9.5/10
8. Call To Action- Another hard rocker that kicks off with some fast-paced guitar and slower drums/vocals to give the idea that things are gonna get out of hand in a second...oh wait maybe it'll be a minute instead....ok here we go. Listeners will have to listen till the chorus for things to pick up a little bit and fulfill the anticipation created by the start, and even then I feel like somebody at the store who is not given as much change back as they should have: I may have only lost .75, but it's the principle of the matter. And .75 can buy me Taco Bell. This is a good song, just not as good as I was expecting. The end is pretty cool, and the lyrics once again feature the classic theme common among Christian rock bands of "Bring it on!....But I've actually got a good reason to be pissed off and resistant." Which is cool, but amidst the best of Pillar, this song will not find a home. 9/10
9. Lose It All- Another slow ballad that is more upbeat, which kind of diminished its value as well as the relevance of the lyrics in relation to the song as a whole. The guitar featured in small fragments as well as the violins displayed in a similar fashion are good accompaniments, especially at the end, but the whole concept of this song just comes up short for me. 8/10
10. You Are Not The End- The final track on the album (yes we are already there) starts off quickly and then slows down but has signs of picking up again, which are actually fully fulfilled this time around, with Beckley screaming out. This is a rock anthem unifying people against the imposition of another person's dominating will. The verses aren't really anything special, but the chorus makes this song interesting at the very least. This song doesn't really fit in with my definition of a closer track, but I guess with only ten tracks (one of them being a cover, three of them being slow songs), where else could it go? The song kind of ends abruptly, leaving me to be a little bit resentful that its already over and that it ended on such a random and bad note. Not that this song is bad, it's just not the appropriate ending, and it's not how I expected it to be. It's like breaking up with someone that was a nice relationship for awhile, but now you are bored: they say everything is fine and you can still be friends, but in reality, it's over for good, and that's not what you had intended to do. 9/10
Overall: 91/100
A very short album that satisfies any temporary Pillar cravings I might have had, but I will be anxiously awaiting the next album and hoping that Pillar comes through more thoroughly the next time around. This isn't bad work, and the score given certainly is respectable (even if there are only ten songs so the room for disparity between perfection and where they ended up is not as large), but one would think and hope at this point that Pillar would be able to crank out something truly epic as veterans of the harder Christian rock genre. Because that really is what Pillar does best: merging the gap between Christian music and rock music. A must for Pillar fans, but not necessarily rock fans in general, especially those low on cash. Well that's it for this week. Coming next week will be reviews for two highly anticipated releases: Breaking Benjamin and Paramore. Thanks for tuning in. Rock on.
1. Fire On The Inside- In my opinion, this song shows a lot of promise but the chorus is kind of a letdown from the intensity of the guitar and drums in the beginning of the song. There is some solid rock out quality here, but the scheme of the chorus doesn't do it justice. Lyrically it is strong talking about the battle that rages between good and evil manifested through man's actions, but as Pillar tends to do, their music is so good and hard that the message will be lost on some. Not as epic as I would have liked because Pillar can do better, but this is still good work. The guitar solo near the end of the solo is very strong as well. 8.5/10
2. Whatever It Takes- This song starts off slow with the intention of building up into something more exciting, and this executed much better. The background vocals also add to the desperate message of the song. This is classic Pillar, and while I was not immediately astounded by this song, it definitely grew on me. There is a session of intensity with some screaming that is not seen that often from Beckley but it is done well and will be sure to please the harder fans. 9/10
3. Secrets And Regrets- The fan favorite of the album so far is more of a mellow song, which is surprising to me, but it is also undeniable that this is a great song. The transition from verses to chorus is not necessarily extravagant, but the chorus itself is solid and pleasing to a crowd. The guitar is also very interesting and will capture some attention. This is not the best song on the album in my opinion, but it is definitely up there, and the lyrics are definitely heartfelt and unique enough to be a sure hit with their fan base. 9.5/10
4. Better Off Now- The song prior to this one delved into more dramatic and mellow tones, this song is more of a bluesy rock song, with stringed instruments in the backdrop used to create a sad and yet uplifting mood. This is a song about trying to get over someone who still holds a special place in a person's heart, but weighs him/her down. This is surprisingly one of the more epic songs on the album when it gets to the crescendo of violins, guitar, and drums, along with Beckley's appropriate vocal intonation. This song is certainly heartfelt as well. 9.5/10
5. Not Without A Fight- A chilling guitar intro starts off a rocking song with great guitar/bass hooks and heavy drums that will quicken anyone's heartbeat. There is some background screaming, and while some may find the amount of screaming both in the background and by Beckley to be excessive, I think it adds to the intensity of the song. This is not a universal rocker, it definitely will only find its place among those lucky enough to appreciate it and find the correlation between the lyrics dripping with resilience and the harder musical presentation. That being said, I love this damn song, and it would fit in nicely with Need For Speed: Underground's soundtrack. I don't say that because I'm a dork, but because songs by Static-X and Lost Prophets on that game are like family here. The best song on the album. 9.5/10
6. Will You Be There- Piano, acoustic guitar, and violins start off a very slow song that is well reflected and enhanced by the softer vocals and the drums. This is a good song for those looking for something to relax them and calm them down. A very good, reflective, and meditative song that picks up a little more intensity near the end, but would be well-recommended for anyone looking for a song with a deeper meaning, profoundly contemplating on the relationship between man and God, or between man and woman as well. 9.5/10
7. Shine- A cover song of Collective Soul's "Shine", which sounds remarkably similar to the original if not for a few subtle differences and a great one that manifests itself later on in the song. This song is certainly stylish enough and one of the strongest tracks here, but it was kind of disappointing to me when I realized that out of only ten songs, nine of them are original. I feel like the wait for this new album should have been shorter based on what's being delivered, but this is still a good song. I would go into detail about how pleasant the lyrics and the guitar/bass/drums schemes are, but I wouldn't really be reviewing Pillar anymore. Except for the guitar solo. This is extremely different, and good Lord can Noah Henson play some guitar. This is what people listen to when they are inspired to pick up and instrument and pretend to be rockstars. This is a solid cover that enhances the song from the original in my opinion because I prefer this guitar solo and Beckley's vocals, but I can only get so excited about it. 9.5/10
8. Call To Action- Another hard rocker that kicks off with some fast-paced guitar and slower drums/vocals to give the idea that things are gonna get out of hand in a second...oh wait maybe it'll be a minute instead....ok here we go. Listeners will have to listen till the chorus for things to pick up a little bit and fulfill the anticipation created by the start, and even then I feel like somebody at the store who is not given as much change back as they should have: I may have only lost .75, but it's the principle of the matter. And .75 can buy me Taco Bell. This is a good song, just not as good as I was expecting. The end is pretty cool, and the lyrics once again feature the classic theme common among Christian rock bands of "Bring it on!....But I've actually got a good reason to be pissed off and resistant." Which is cool, but amidst the best of Pillar, this song will not find a home. 9/10
9. Lose It All- Another slow ballad that is more upbeat, which kind of diminished its value as well as the relevance of the lyrics in relation to the song as a whole. The guitar featured in small fragments as well as the violins displayed in a similar fashion are good accompaniments, especially at the end, but the whole concept of this song just comes up short for me. 8/10
10. You Are Not The End- The final track on the album (yes we are already there) starts off quickly and then slows down but has signs of picking up again, which are actually fully fulfilled this time around, with Beckley screaming out. This is a rock anthem unifying people against the imposition of another person's dominating will. The verses aren't really anything special, but the chorus makes this song interesting at the very least. This song doesn't really fit in with my definition of a closer track, but I guess with only ten tracks (one of them being a cover, three of them being slow songs), where else could it go? The song kind of ends abruptly, leaving me to be a little bit resentful that its already over and that it ended on such a random and bad note. Not that this song is bad, it's just not the appropriate ending, and it's not how I expected it to be. It's like breaking up with someone that was a nice relationship for awhile, but now you are bored: they say everything is fine and you can still be friends, but in reality, it's over for good, and that's not what you had intended to do. 9/10
Overall: 91/100
A very short album that satisfies any temporary Pillar cravings I might have had, but I will be anxiously awaiting the next album and hoping that Pillar comes through more thoroughly the next time around. This isn't bad work, and the score given certainly is respectable (even if there are only ten songs so the room for disparity between perfection and where they ended up is not as large), but one would think and hope at this point that Pillar would be able to crank out something truly epic as veterans of the harder Christian rock genre. Because that really is what Pillar does best: merging the gap between Christian music and rock music. A must for Pillar fans, but not necessarily rock fans in general, especially those low on cash. Well that's it for this week. Coming next week will be reviews for two highly anticipated releases: Breaking Benjamin and Paramore. Thanks for tuning in. Rock on.
Monday, September 21, 2009
Monty Are I: Break Through The Silence Review
Monty Are I is a band that not many people have heard of, maybe because of their style of music, or maybe because the name of the band is not as accessible as easier names to remember or research like "Green Day" or "Yellowcard". And I think this is a shame to rock culture to be perfectly honest. Because these guys are damn good. Ever since I heard the song "In This Legacy" off their debut record in 2006 "Wall Of People", I knew this was not your everyday, run-of-the-mill group. The one word I would use to describe these guys would be epic. Their music does branch into experimental territory at times, but for the most part, the addition of keyboard/synths, trombone, trumpet, and in some songs, violin, viola, and cello make for epic rock anthems that would normally guarantee any band fame. If you are looking for something new to rock out to or if you are tired of the same old, same old, look no further, because I personally guarantee this band will blow you away.
1. Break Through The Silence- Remember what I said about epic? Apply it here. The first track of "Break Through The Silence" starts off with one of the greatest guitar/bass/drumming throwdowns I've ever heard. A solid and catchy beat that really allows lead singer/guitarist Stephen Aiello's vocals to shine, and guitar/trumpet man Ryan Muir's vocal contributions are a welcome addition as well. The middle of the song shows some intensity with some background synthing from keyboard/trombone man Andrew Borstein. Michael Matarese's bass is great as well. Lyrically, this song conveys a very hopeful message with dynamic execution. 10/10
2. The Stand- I'm not sure why, but the beginning of this song reminds me of Maino's "All The Above" featuring T-Pain. Kinda cool/random tidbit. Another hopeful message is seen here, with a touch of resilience. This is a very accessible song to rock fans, and the constant strumming in the background is pretty cool if you look for it. Aiello's vocals excel in this song as well, and the accompanying background harmonizing is a pretty cool touch. 9.5/10
3. Hope- A song that expresses desperation for hope in a tough time. Another epic start with some awesome guitar schemes. Violins and other instruments also add to the drama of the song, at one point giving it almost an Arabic-themed feel. This is a very cool song with a good message that anyone can rock out to. Oh and I guarantee someone will wet their pants at the end of this song at a live performance. 10/10
4. One In A Million- The first single from Monty Are I has a sort of trippy beginning that picks up speed once the chorus hits. I like the whole idea about being one in a million, but if this song were to receive any criticism, it would be repetitiveness, particularly concerning the background vocals of "I AM..." There is a solid guitar breakdown in the middle of the song that is soon accompanied by some good vocals. The end of the song also features one hell of a musical beatdown. 9/10
5. Making Sounds- A more mellow song in comparison to the last four songs, the song begins with some soft vocals that also proves Aiello can hit a remarkably high/creepy note if needed. It sounds remarkably similar to the slow songs on Linkin Park's new album "Minutes To Midnight". The chorus is one of those songs that one can picture any girl falling in love with and singing at the top of her lungs in her room. This song fits in with the mood of the album about standing out in the crowd, fighting the monotony of silence and despair, and being something special. Not my personal favorite, but still a very solid entry. 8.5/10
6. Sand Riders Doomsday- Apart from having a very creative name, the instrumental beginning really testifies to the group's adversity, as does the chorus, which would make even Patrick Stump cringe with jealousy for not thinking of it first. The vocals for the chorus are once again highly appealing, and the electronic supplement gives this song a unique feel. This song would be the most stylish on the album if not for the next song.... 8.5/10
7. Kaleidoscope- A slow beginning gives way to the catchiest chorus on the album. Lyrically this is as good as it gets, and just the entire sound of this song is incredibly stylish, especially when the trumpets kick in. I can't really describe this song any further because you really just need to listen to it to understand how cool it is. 10/10
8. All Of You- As if these guys didn't have enough variety, now fans get a chance to hear a slow song. A beginning that may remind some of Hellogoodbye, but certainly proves to be a little more heartfelt. Aiello's softer vocals are a highlight of the song, and the lyrics are simply romantic. A very sweet song that is perfect if you're looking for a song to fall asleep to. 9.5/10
9. On The Wire- The beginning of this song certainly reveals the band's experimental qualities until the chorus hits which is just incredibly likable. The repetition of "the rain the rain the rain the rain"/"the pain the pain the pain the pain" may be seen by some as unappealing, but it my opinion it makes the song that much better. A solid rock song with a good build-up leading into the final chorus that mixes it up a little bit, keeping the song from being repetitive. A very good entry. 9/10
10. Desert- A sweet blend of guitar and trumpets kicks this song off right, and Ryan Muir's vocals to begin is a nice change-up. The instruments are seen throughout the song giving it a stylish feel that people who are not even usually rockers will be drawn to. Lyrically solid once again. Not the highlight of the album, but it definitely strengthens its appeal. 9/10
11. Mirage- Another instrumental beginning that is Arabic-esque gives way to a very slow and dramatic chorus. It is a haunting entry in the album that will really speak to some and fail to impress others. Personally, I appreciate the song for what it is, even if it is relatively short. 8/10
12. Convoy Of Angels- As you can tell, this album features some of the most creative and stylish names on any album, but these songs can actually back it up. This song starts off slow and mysterious, but quickly gives way to some guitar riffs that can only be characterized as kickass. The fast-paced strumming and drum beat from Justin Muir allow for another guitar to come in and add even more style. The chorus is awesome lyrically and vocally as well, really accentuating the agony and desperate need for assistance. Not a typical song used to close off an album, but this song tears it up so I really don't care. This song shows off every member of the band, because the vocals, guitar/bass, and drumming are dead on. 10/10
Overall: 111/120
Monty Are I took their great debut and stayed true to who they are as a band while expanding on their sound, which is the definition of a great sophomore effort. They maintain their definition of epic music and add some flair to it. This is for fans of Saosin, rock music, or just great music in general. Join me in recognizing a band that deserves recognition for how awesome they are. This is a unique band that will go places. Next up this week is Pillar's new album, "Confessions". Thanks for tuning in. Rock on.
1. Break Through The Silence- Remember what I said about epic? Apply it here. The first track of "Break Through The Silence" starts off with one of the greatest guitar/bass/drumming throwdowns I've ever heard. A solid and catchy beat that really allows lead singer/guitarist Stephen Aiello's vocals to shine, and guitar/trumpet man Ryan Muir's vocal contributions are a welcome addition as well. The middle of the song shows some intensity with some background synthing from keyboard/trombone man Andrew Borstein. Michael Matarese's bass is great as well. Lyrically, this song conveys a very hopeful message with dynamic execution. 10/10
2. The Stand- I'm not sure why, but the beginning of this song reminds me of Maino's "All The Above" featuring T-Pain. Kinda cool/random tidbit. Another hopeful message is seen here, with a touch of resilience. This is a very accessible song to rock fans, and the constant strumming in the background is pretty cool if you look for it. Aiello's vocals excel in this song as well, and the accompanying background harmonizing is a pretty cool touch. 9.5/10
3. Hope- A song that expresses desperation for hope in a tough time. Another epic start with some awesome guitar schemes. Violins and other instruments also add to the drama of the song, at one point giving it almost an Arabic-themed feel. This is a very cool song with a good message that anyone can rock out to. Oh and I guarantee someone will wet their pants at the end of this song at a live performance. 10/10
4. One In A Million- The first single from Monty Are I has a sort of trippy beginning that picks up speed once the chorus hits. I like the whole idea about being one in a million, but if this song were to receive any criticism, it would be repetitiveness, particularly concerning the background vocals of "I AM..." There is a solid guitar breakdown in the middle of the song that is soon accompanied by some good vocals. The end of the song also features one hell of a musical beatdown. 9/10
5. Making Sounds- A more mellow song in comparison to the last four songs, the song begins with some soft vocals that also proves Aiello can hit a remarkably high/creepy note if needed. It sounds remarkably similar to the slow songs on Linkin Park's new album "Minutes To Midnight". The chorus is one of those songs that one can picture any girl falling in love with and singing at the top of her lungs in her room. This song fits in with the mood of the album about standing out in the crowd, fighting the monotony of silence and despair, and being something special. Not my personal favorite, but still a very solid entry. 8.5/10
6. Sand Riders Doomsday- Apart from having a very creative name, the instrumental beginning really testifies to the group's adversity, as does the chorus, which would make even Patrick Stump cringe with jealousy for not thinking of it first. The vocals for the chorus are once again highly appealing, and the electronic supplement gives this song a unique feel. This song would be the most stylish on the album if not for the next song.... 8.5/10
7. Kaleidoscope- A slow beginning gives way to the catchiest chorus on the album. Lyrically this is as good as it gets, and just the entire sound of this song is incredibly stylish, especially when the trumpets kick in. I can't really describe this song any further because you really just need to listen to it to understand how cool it is. 10/10
8. All Of You- As if these guys didn't have enough variety, now fans get a chance to hear a slow song. A beginning that may remind some of Hellogoodbye, but certainly proves to be a little more heartfelt. Aiello's softer vocals are a highlight of the song, and the lyrics are simply romantic. A very sweet song that is perfect if you're looking for a song to fall asleep to. 9.5/10
9. On The Wire- The beginning of this song certainly reveals the band's experimental qualities until the chorus hits which is just incredibly likable. The repetition of "the rain the rain the rain the rain"/"the pain the pain the pain the pain" may be seen by some as unappealing, but it my opinion it makes the song that much better. A solid rock song with a good build-up leading into the final chorus that mixes it up a little bit, keeping the song from being repetitive. A very good entry. 9/10
10. Desert- A sweet blend of guitar and trumpets kicks this song off right, and Ryan Muir's vocals to begin is a nice change-up. The instruments are seen throughout the song giving it a stylish feel that people who are not even usually rockers will be drawn to. Lyrically solid once again. Not the highlight of the album, but it definitely strengthens its appeal. 9/10
11. Mirage- Another instrumental beginning that is Arabic-esque gives way to a very slow and dramatic chorus. It is a haunting entry in the album that will really speak to some and fail to impress others. Personally, I appreciate the song for what it is, even if it is relatively short. 8/10
12. Convoy Of Angels- As you can tell, this album features some of the most creative and stylish names on any album, but these songs can actually back it up. This song starts off slow and mysterious, but quickly gives way to some guitar riffs that can only be characterized as kickass. The fast-paced strumming and drum beat from Justin Muir allow for another guitar to come in and add even more style. The chorus is awesome lyrically and vocally as well, really accentuating the agony and desperate need for assistance. Not a typical song used to close off an album, but this song tears it up so I really don't care. This song shows off every member of the band, because the vocals, guitar/bass, and drumming are dead on. 10/10
Overall: 111/120
Monty Are I took their great debut and stayed true to who they are as a band while expanding on their sound, which is the definition of a great sophomore effort. They maintain their definition of epic music and add some flair to it. This is for fans of Saosin, rock music, or just great music in general. Join me in recognizing a band that deserves recognition for how awesome they are. This is a unique band that will go places. Next up this week is Pillar's new album, "Confessions". Thanks for tuning in. Rock on.
Three Days Grace: Life Starts Now Review
To start off week number two of my awesome rock reviews, I must begin on a sad note. By evil luck comparable only to that of Odysseus holding a black cat and an open umbrella whilst walking 'neath a ladder and stepping upon a mirror with one foot and a crack in the pavement with the other, my review for Boys Like Girls was deleted from my blog. Although the new album from Boys Like Girls was a disappointment in my opinion, the review itself was very insightful, it represented a good hour of writing and three-four hours of listening to that album, and I received a lot of feedback that is now lost into the deep chasms of deleted internet stuff. So let us have a moment of silence for the death of one of my reviews, and question why computers don't always ask you if the action you clicked on is actually the action you want to perform just to double check that you aren't doing something stupid........Ok. Now wipe your tears, and get ready for a review for Three Days Grace's new album, Life Starts Now.
Emotional. Contemplative. Insightful. Heartwarming. These are all words that have absolutely nothing to do with Three Days Grace. Or at least, they didn't used to be. Three Days Grace's 2003 debut, "Three Days Grace", was an aggressive, moody, and gothic album that featured heavy musical breakdowns, intense vocals, and dark borderline-depressing lyrics, making it a fan favorite, because although the 2006 follow-up "One-X" was a very impressive sophomore effort, it lacked that certain "X factor" that the first effort had. Like Jet's "Shine On", "One-X" was a highly underrated album that also branched in another direction lyrically. Unlike the first album, this one included one or two songs that conveyed messages of hope amidst the darkness that descended from every other track. "Life Starts Now" definitely branches into that similar direction, but fear not Three Days Grace fans! Your band still has its share of darkness to its songs, but this time, they also choose to include slow songs as well as songs that can almost be considered mainstream, and there are more songs with messages of hope, rather than constant despair. Many of you who love 3DG's hardcore qualities may be looking at these words with pure disgust, but believe me when I say that this subtle transition from completely one-dimensional (albeit awesome) harder rock to more variety marks the band's maturity and even though I do not consider this album their best work, it still is a solid entry in 3DG's discography.
1. Bitter Taste- 3DG knows how to please its traditional fans still, and don't you forget it, readers. The first song off their new album is a typical song that would fit in extremely well with their debut, but even more so with "One-X" because of the creeping, chugging guitar riffs from lead guitarist Barry Stock that characterize the song. There is some extraordinary guitar/bass work in the middle of the song that really shows off Barry's, Adam Gontier's, and bassist Brad Walst's skills, especially because of how well the guitars harmonize. A solid drumming scheme really adds to the slinking, skulking mood of the song, and Adam's vocals do not disappoint fans of his ferocious roaring that somehow is still classified as singing. Great lyrics likening a person's negative influence to a bitter taste really allow the band to stick to their guns. 9.5/10
2. Break- Their first single was called great progressive work by some, and ok music that moves away from their traditional direction by others. I personally think this song is very good and epitomizes what a good rock anthem should be in the tradition of: "Everybody throw a fist in the air against the establishment and let's go wreak some havoc." There is a very catchy guitar pattern that repeats throughout the song, making it radio-worthy. The Motion-City-Soundtrack-esque electric guitar also adds a nice touch to the typical 3DG guitar that anyone can identify with the group. More throwdowns here accompanied by a great guitar solo in the middle. Very solid work. 10/10
3. World So Cold- A heavy beginning with shrill background guitar that gives way to a heavy yet slow chorus. The drama of the song relies mainly on the lead singer's apparent struggle and lyrics that will really speak to some people, especially those dealing with losing someone, which makes the world appear so barren and cold. There is some haunting electronic interference with Adam's voice in a slower part of the song that gives way to another rocking chorus. I was surprised this is the most popular song from the new album on Itunes, but this isn't bad, even if it is very similar to "World So Cold" by 12 Stones. 9/10
4. Lost In You- For those of you who are about to listen to this song for the first time, brace yourself. There's no need to double-check your I-Pod upon listening to this song for the first time, this is really Three Days Grace. But don't hit that fast-forward button just yet. Even though this song is the first of its kind, and very slow and uplifting, it is actually a very successful first attempt at songs of this genre. The lyrics can only be described as cute, because the sentiments conveyed here are simply romantic. It is what it is. This is a close to mainstream as they will ever get, and they get pretty damn close. Which I don't think is a bad thing in this case. Not what traditional fans are expecting, but give this new variety a shot first before you dismiss it. Nice work, 3DG. Just don't ever do it again. 9/10
5. The Good Life- This song shows a sign of growing maturity: Three Days Grace is having fun with their music and actually showing it. This song is about having a share of "the good life" and is a lot of fun all-around. With a guitar scheme akin to Sick Puppies, this song is extremely catchy and the use of background harmonizing vocals adds to this notion. This song's heavy instrument accompaniment classifies it as classic 3DG, but listening to the song as a whole, it is a whole new brand of music that involves being universally accessible to listeners and having fun with this tempting idea of being rich and partaking of the good life. One can even hear Adam give a "Whoo!" near the end of the song! What the hell? 9.5/10
6. No More- A darker and more mellow song that is similar to older albums lyrically, but not necessarily so in execution. Adam's blaring vocals are shown off here, but this song doesn't really connect with me. The verses have some more background vocals that don't really enhance the mood or the background instruments. Some will find this song to be brilliant but I think this song's lyrics surpass the sound too much for the whole song to come together and be something interesting. 7.5/10
7. Last To Know- The first time I heard this song, the piano drew me in immediately. This is an emotional rock ballad that is heartfelt, genuine, and powerful. This piano from drummer Neil Sanderson is simply beautiful, and Adam's soft vocals that transition into high notes and also milder roars pack even more emotion into the song. The lyrics are beautiful as well, and listeners will find their heart beating faster when the song begins to build up into its crescendo, beginning with a slow entrance of acoustic guitar that later introduces shrill electric guitar and then drums that allow the song to transition into more dramatic territory and sets the mood. The closing piano and haunting lyrics of "And when she leaves you for dead, you'll be the last to know" allow for a perfectly chilling ending to a great song. The best song on the album, defying the odds as a slow song from a group that does not specialize in this area. 10/10
8. Someone Who Cares- Bland lyrics mixed with an average sound diminish this song's potential. There are some good underlying ideas here, but none of them are powerful enough to emerge from a sea of mediocrity in the ocean of songs. Repetitive choruses are broken up by a solid throwdown in the middle of the song and a good guitar scheme at the end, but this is not enough to raise this song's appeal. 8/10
9. Bully- Great lyrics that are not really matched with the right sound so as to display the drama conveyed within. A heavier song that is disappointing because it fails to raise any excitement. The guitar, bass, and drums are all solid, especially in the middle, but this would be one of the songs on an older album that is good and certainly listened to, but does not stir any further attraction to the band's sound as a whole. 8/10
10. Without You- An unappealing guitar beginning and verses give way to a slower chorus that almost seems akin to blues rock, which is a step away from conventional 3DG once again. Lyrically, this has some good ideas going for it, and there is a very good guitar solo in the middle of the song that will make Guitar Hero fans hopeful for a transition from CD to game, but in the long run, there are better places to look than here. 7.5/10
11. Goin' Down- An eerie guitar resonates in the beginning of this song, and listeners are almost drawn into thoughts of great Halloween memories, but then the rocking chorus kicks in, knocking them out of nostalgia. This is not as creepy as "Let You Down" off of "Three Days Grace", because the message of the song is "I'm going to take you down", and once again, you can hear Adam not only give a "Whoo!" but also hear him laughing. Here we see Three Days Grace having fun, but not necessarily executing the premise of the song as well as they should have. 8/10
12. Life Starts Now- This song doesn't really emulate the characteristics that usually constitute a final track on an album, but it still is solid. Lyrically, this is almost as good as it gets (only overshadowed by "Last To Know"), and the chorus is very appealing in its hopeful message that can only be seen amidst the sorrowful tone that typifies the song. This involves moving beyond pain and strife and starting over, recognizing how far one has come through struggles, and being determined in the face of all this to do better. This is a great song that doesn't really fit the mold of a closer track, but it still very good nonetheless. 9/10
Overall: 105/120
Some traditional Three Days Grace fans will be disappointed that they won't be rocking out as hard as they are accustomed to, but this CD is still worth listening to and has a lot to offer if given the chance. While the band's transition into more hopeful themes along with mainstream and slower songs may be seen as unwelcome by some, they execute it well and there is no question that this group still knows how to rock, and rest assured, I have a feeling that when Three Days Grace returns for round four, they will be ready to shatter some eardrums once more. Next up this week will be Monty Are I. Thanks for tuning in. Rock on.
Emotional. Contemplative. Insightful. Heartwarming. These are all words that have absolutely nothing to do with Three Days Grace. Or at least, they didn't used to be. Three Days Grace's 2003 debut, "Three Days Grace", was an aggressive, moody, and gothic album that featured heavy musical breakdowns, intense vocals, and dark borderline-depressing lyrics, making it a fan favorite, because although the 2006 follow-up "One-X" was a very impressive sophomore effort, it lacked that certain "X factor" that the first effort had. Like Jet's "Shine On", "One-X" was a highly underrated album that also branched in another direction lyrically. Unlike the first album, this one included one or two songs that conveyed messages of hope amidst the darkness that descended from every other track. "Life Starts Now" definitely branches into that similar direction, but fear not Three Days Grace fans! Your band still has its share of darkness to its songs, but this time, they also choose to include slow songs as well as songs that can almost be considered mainstream, and there are more songs with messages of hope, rather than constant despair. Many of you who love 3DG's hardcore qualities may be looking at these words with pure disgust, but believe me when I say that this subtle transition from completely one-dimensional (albeit awesome) harder rock to more variety marks the band's maturity and even though I do not consider this album their best work, it still is a solid entry in 3DG's discography.
1. Bitter Taste- 3DG knows how to please its traditional fans still, and don't you forget it, readers. The first song off their new album is a typical song that would fit in extremely well with their debut, but even more so with "One-X" because of the creeping, chugging guitar riffs from lead guitarist Barry Stock that characterize the song. There is some extraordinary guitar/bass work in the middle of the song that really shows off Barry's, Adam Gontier's, and bassist Brad Walst's skills, especially because of how well the guitars harmonize. A solid drumming scheme really adds to the slinking, skulking mood of the song, and Adam's vocals do not disappoint fans of his ferocious roaring that somehow is still classified as singing. Great lyrics likening a person's negative influence to a bitter taste really allow the band to stick to their guns. 9.5/10
2. Break- Their first single was called great progressive work by some, and ok music that moves away from their traditional direction by others. I personally think this song is very good and epitomizes what a good rock anthem should be in the tradition of: "Everybody throw a fist in the air against the establishment and let's go wreak some havoc." There is a very catchy guitar pattern that repeats throughout the song, making it radio-worthy. The Motion-City-Soundtrack-esque electric guitar also adds a nice touch to the typical 3DG guitar that anyone can identify with the group. More throwdowns here accompanied by a great guitar solo in the middle. Very solid work. 10/10
3. World So Cold- A heavy beginning with shrill background guitar that gives way to a heavy yet slow chorus. The drama of the song relies mainly on the lead singer's apparent struggle and lyrics that will really speak to some people, especially those dealing with losing someone, which makes the world appear so barren and cold. There is some haunting electronic interference with Adam's voice in a slower part of the song that gives way to another rocking chorus. I was surprised this is the most popular song from the new album on Itunes, but this isn't bad, even if it is very similar to "World So Cold" by 12 Stones. 9/10
4. Lost In You- For those of you who are about to listen to this song for the first time, brace yourself. There's no need to double-check your I-Pod upon listening to this song for the first time, this is really Three Days Grace. But don't hit that fast-forward button just yet. Even though this song is the first of its kind, and very slow and uplifting, it is actually a very successful first attempt at songs of this genre. The lyrics can only be described as cute, because the sentiments conveyed here are simply romantic. It is what it is. This is a close to mainstream as they will ever get, and they get pretty damn close. Which I don't think is a bad thing in this case. Not what traditional fans are expecting, but give this new variety a shot first before you dismiss it. Nice work, 3DG. Just don't ever do it again. 9/10
5. The Good Life- This song shows a sign of growing maturity: Three Days Grace is having fun with their music and actually showing it. This song is about having a share of "the good life" and is a lot of fun all-around. With a guitar scheme akin to Sick Puppies, this song is extremely catchy and the use of background harmonizing vocals adds to this notion. This song's heavy instrument accompaniment classifies it as classic 3DG, but listening to the song as a whole, it is a whole new brand of music that involves being universally accessible to listeners and having fun with this tempting idea of being rich and partaking of the good life. One can even hear Adam give a "Whoo!" near the end of the song! What the hell? 9.5/10
6. No More- A darker and more mellow song that is similar to older albums lyrically, but not necessarily so in execution. Adam's blaring vocals are shown off here, but this song doesn't really connect with me. The verses have some more background vocals that don't really enhance the mood or the background instruments. Some will find this song to be brilliant but I think this song's lyrics surpass the sound too much for the whole song to come together and be something interesting. 7.5/10
7. Last To Know- The first time I heard this song, the piano drew me in immediately. This is an emotional rock ballad that is heartfelt, genuine, and powerful. This piano from drummer Neil Sanderson is simply beautiful, and Adam's soft vocals that transition into high notes and also milder roars pack even more emotion into the song. The lyrics are beautiful as well, and listeners will find their heart beating faster when the song begins to build up into its crescendo, beginning with a slow entrance of acoustic guitar that later introduces shrill electric guitar and then drums that allow the song to transition into more dramatic territory and sets the mood. The closing piano and haunting lyrics of "And when she leaves you for dead, you'll be the last to know" allow for a perfectly chilling ending to a great song. The best song on the album, defying the odds as a slow song from a group that does not specialize in this area. 10/10
8. Someone Who Cares- Bland lyrics mixed with an average sound diminish this song's potential. There are some good underlying ideas here, but none of them are powerful enough to emerge from a sea of mediocrity in the ocean of songs. Repetitive choruses are broken up by a solid throwdown in the middle of the song and a good guitar scheme at the end, but this is not enough to raise this song's appeal. 8/10
9. Bully- Great lyrics that are not really matched with the right sound so as to display the drama conveyed within. A heavier song that is disappointing because it fails to raise any excitement. The guitar, bass, and drums are all solid, especially in the middle, but this would be one of the songs on an older album that is good and certainly listened to, but does not stir any further attraction to the band's sound as a whole. 8/10
10. Without You- An unappealing guitar beginning and verses give way to a slower chorus that almost seems akin to blues rock, which is a step away from conventional 3DG once again. Lyrically, this has some good ideas going for it, and there is a very good guitar solo in the middle of the song that will make Guitar Hero fans hopeful for a transition from CD to game, but in the long run, there are better places to look than here. 7.5/10
11. Goin' Down- An eerie guitar resonates in the beginning of this song, and listeners are almost drawn into thoughts of great Halloween memories, but then the rocking chorus kicks in, knocking them out of nostalgia. This is not as creepy as "Let You Down" off of "Three Days Grace", because the message of the song is "I'm going to take you down", and once again, you can hear Adam not only give a "Whoo!" but also hear him laughing. Here we see Three Days Grace having fun, but not necessarily executing the premise of the song as well as they should have. 8/10
12. Life Starts Now- This song doesn't really emulate the characteristics that usually constitute a final track on an album, but it still is solid. Lyrically, this is almost as good as it gets (only overshadowed by "Last To Know"), and the chorus is very appealing in its hopeful message that can only be seen amidst the sorrowful tone that typifies the song. This involves moving beyond pain and strife and starting over, recognizing how far one has come through struggles, and being determined in the face of all this to do better. This is a great song that doesn't really fit the mold of a closer track, but it still very good nonetheless. 9/10
Overall: 105/120
Some traditional Three Days Grace fans will be disappointed that they won't be rocking out as hard as they are accustomed to, but this CD is still worth listening to and has a lot to offer if given the chance. While the band's transition into more hopeful themes along with mainstream and slower songs may be seen as unwelcome by some, they execute it well and there is no question that this group still knows how to rock, and rest assured, I have a feeling that when Three Days Grace returns for round four, they will be ready to shatter some eardrums once more. Next up this week will be Monty Are I. Thanks for tuning in. Rock on.
Thursday, September 17, 2009
Thousand Foot Krutch: Welcome To The Masquerade Review
Thousand Foot Krutch has always had the reputation of being very consistent with their albums. Which one is considered their best really comes down to each person's opinion because there are so many ways to argue for each one. Most, including myself, tend to side with "Phenomenon", one of the group's first efforts back in 2003. Some believe it to be "The Flame In All Of Us" in 2007, and occasionally I will even hear someone throw 2005's "The Art Of Breaking" in for consideration. Once again, Thousand Foot Krutch provides great music that makes this discussion a hard one to draw conclusion from. I do not believe this to be their best yet, but I also believe this is a damn good CD.
1. The Invitation- A very cool (yet short) intro to the album and to the next song. Great guitar here from lead singer/guitarist Trevor McNevan and bass from Joel Bruyere with drums from Steve Augustine that come in and dominate your headphones for a minute until the guitar leads into the next song. 9/10
2. Welcome To The Masquerade- A very awesome start due in part to the intro but also to the great and heavy guitar and bass riffs along with superb drumming seen throughout the song. Trevor's vocals are solid, alternating from melodic singing to raspy bellows that characterize Thousand Foot Krutch. Solid throwdowns here, both with instruments and lyrically, because fans will recognize TFK's tendency to throw out challenges with their lyrics. It slows down near the end leading into a great crescendo to bring it home. 9.5/10
3. Fire It Up- Thousand Foot Krutch once again shows how confrontational and heavy their music can be. The vocals consist mostly of pleasant screaming (as opposed to Underoath-screaming), and goes really well with the all the instruments. A slowed down section with whispering really adds to the whole rocking nature of the track. This is for fans of "Move", "Rawkfist", and "New Drug". Be sure to add this one to your pump up playlist. 9.5/10
4. Bring Me To Life- A truly awesome start to the song is composed of piano that brings out guitar, bass, and drums. The piano can be heard in the backdrop for a couple of portions of the song, giving it a dramatic feel. Everything here is superbly executed, transitioning from heavy verses with the dramatic piano in the background to a lighter chorus that is appealing for people who like harmonizing. There is a very heavy breakdown later in the song for people looking to rock out. This wins the award for best song on the album. 10/10
5. E For Extinction- A slow and entrancing beginning gives way to a heavy chorus that is very appetizing for rock fans' ears. Trevor's voice once again changes from cooing and soothing to roars personifying TFK rock. Nothing too fancy here, but a solid track that reverts back to the days of "Phenomenon". 9/10
6. Watching Over Me- TFK is known for two things: heavier, in-your-face throwdown songs and slower, reflective, and religiously contemplative songs. This song follows the latter format, and although TFK has a lot better soft songs, this one is very good. It has good lyrics along with a good message presumably about losing someone but feeling their presence around you. 8.5/10
7. The Part That Hurts The Most (Is Me)- Solid guitar work leads into a nice little drum scheme to start the song off. This is one of the best choruses I've heard in awhile because it really encourages you to be drawn in either by singing along or sitting back and appreciating good music. The technological background vocals also add some drama to the song, which is fully manifested with a great buildup to the crescendo, which takes the form of a heavy musical throwdown. Then it reverts back to the remarkable chorus. Lyrically entrancing as well. 9.5/10
8. Scream- Another heavy song from TFK that comes up shorter than fans may be used to but still a solid entry. The chorus really raises up the level of this song. There is an epic buildup later in the song starting with some soothing singing and piano, but unless you don't immediately find the chorus to your liking, you won't change your mind about this song easily. 8.5/10
9. Look Away- This song bears a lot of resemblance to the song "This Is A Call" from "Phenomenon". It is extremely similar, which may put some people off, but I enjoyed this song immensely. A very sweet piano melody and violin accompaniment characterize this song and add some emotion to it. This is an impressive slow song, despite an abrupt ending. 9/10
10. Forward Motion- The closest TFK is going to get to pop punk mainstream. But don't be discouraged, this is a very good song, and it actually the highest selling track off the album on Itunes. There are some solid guitar riffs here, along with some background piano, that give the song its hopeful and optimistic feel. 9/10
11. Outta Control- A raw guitar opening shifts to heavy guitar and bass. When I first listened to the chorus I was a little disappointed, but it grew on me and I was able to fully appreciate this raw and strong rocker. Not their best, but still good work. 8.5/10
12. Smack Down- Very similar to "Rawkfist". A solid start sets up the gravity of the song, and a transition into stomping and clapping that would make Queen proud ends with some solid roars and guitar. The chorus is excellent, with some actual singing, great guitar and bass work, and some more stomping and clapping that gives the song a great rhythm. 9.5/10
13. Already Home- A nice violin intro gives way to piano and gentle vocals. Then the song picks up with some guitar and enters a chorus that purveys the sense of wonder and being surrounded by peace (which relates to the subject of finding home). Lyrically, this is as strong as TFK gets (even though I do admit that I enjoy their challenging and almost threatening lyrics as well). This is a great way to close the album and is the best slow song here. 9.5/10
Overall: 119/130
A very good entry in the discography of Thousand Foot Krutch, neither letting fans down nor exceeding any expectations. This is definitely worth the investment for fans, and some rock fans looking for something new to experiment with should give this a try. Next up is Boys Like Girls. Thanks for tuning in. Rock on.
1. The Invitation- A very cool (yet short) intro to the album and to the next song. Great guitar here from lead singer/guitarist Trevor McNevan and bass from Joel Bruyere with drums from Steve Augustine that come in and dominate your headphones for a minute until the guitar leads into the next song. 9/10
2. Welcome To The Masquerade- A very awesome start due in part to the intro but also to the great and heavy guitar and bass riffs along with superb drumming seen throughout the song. Trevor's vocals are solid, alternating from melodic singing to raspy bellows that characterize Thousand Foot Krutch. Solid throwdowns here, both with instruments and lyrically, because fans will recognize TFK's tendency to throw out challenges with their lyrics. It slows down near the end leading into a great crescendo to bring it home. 9.5/10
3. Fire It Up- Thousand Foot Krutch once again shows how confrontational and heavy their music can be. The vocals consist mostly of pleasant screaming (as opposed to Underoath-screaming), and goes really well with the all the instruments. A slowed down section with whispering really adds to the whole rocking nature of the track. This is for fans of "Move", "Rawkfist", and "New Drug". Be sure to add this one to your pump up playlist. 9.5/10
4. Bring Me To Life- A truly awesome start to the song is composed of piano that brings out guitar, bass, and drums. The piano can be heard in the backdrop for a couple of portions of the song, giving it a dramatic feel. Everything here is superbly executed, transitioning from heavy verses with the dramatic piano in the background to a lighter chorus that is appealing for people who like harmonizing. There is a very heavy breakdown later in the song for people looking to rock out. This wins the award for best song on the album. 10/10
5. E For Extinction- A slow and entrancing beginning gives way to a heavy chorus that is very appetizing for rock fans' ears. Trevor's voice once again changes from cooing and soothing to roars personifying TFK rock. Nothing too fancy here, but a solid track that reverts back to the days of "Phenomenon". 9/10
6. Watching Over Me- TFK is known for two things: heavier, in-your-face throwdown songs and slower, reflective, and religiously contemplative songs. This song follows the latter format, and although TFK has a lot better soft songs, this one is very good. It has good lyrics along with a good message presumably about losing someone but feeling their presence around you. 8.5/10
7. The Part That Hurts The Most (Is Me)- Solid guitar work leads into a nice little drum scheme to start the song off. This is one of the best choruses I've heard in awhile because it really encourages you to be drawn in either by singing along or sitting back and appreciating good music. The technological background vocals also add some drama to the song, which is fully manifested with a great buildup to the crescendo, which takes the form of a heavy musical throwdown. Then it reverts back to the remarkable chorus. Lyrically entrancing as well. 9.5/10
8. Scream- Another heavy song from TFK that comes up shorter than fans may be used to but still a solid entry. The chorus really raises up the level of this song. There is an epic buildup later in the song starting with some soothing singing and piano, but unless you don't immediately find the chorus to your liking, you won't change your mind about this song easily. 8.5/10
9. Look Away- This song bears a lot of resemblance to the song "This Is A Call" from "Phenomenon". It is extremely similar, which may put some people off, but I enjoyed this song immensely. A very sweet piano melody and violin accompaniment characterize this song and add some emotion to it. This is an impressive slow song, despite an abrupt ending. 9/10
10. Forward Motion- The closest TFK is going to get to pop punk mainstream. But don't be discouraged, this is a very good song, and it actually the highest selling track off the album on Itunes. There are some solid guitar riffs here, along with some background piano, that give the song its hopeful and optimistic feel. 9/10
11. Outta Control- A raw guitar opening shifts to heavy guitar and bass. When I first listened to the chorus I was a little disappointed, but it grew on me and I was able to fully appreciate this raw and strong rocker. Not their best, but still good work. 8.5/10
12. Smack Down- Very similar to "Rawkfist". A solid start sets up the gravity of the song, and a transition into stomping and clapping that would make Queen proud ends with some solid roars and guitar. The chorus is excellent, with some actual singing, great guitar and bass work, and some more stomping and clapping that gives the song a great rhythm. 9.5/10
13. Already Home- A nice violin intro gives way to piano and gentle vocals. Then the song picks up with some guitar and enters a chorus that purveys the sense of wonder and being surrounded by peace (which relates to the subject of finding home). Lyrically, this is as strong as TFK gets (even though I do admit that I enjoy their challenging and almost threatening lyrics as well). This is a great way to close the album and is the best slow song here. 9.5/10
Overall: 119/130
A very good entry in the discography of Thousand Foot Krutch, neither letting fans down nor exceeding any expectations. This is definitely worth the investment for fans, and some rock fans looking for something new to experiment with should give this a try. Next up is Boys Like Girls. Thanks for tuning in. Rock on.
Saosin: In Search Of Solid Ground Review
Saosin's first album was a hit everywhere with fans of the genre. Lead singer Cove Reber's incredible vocal talent, mixed with great guitar and bass from Justin Shekoski, Beau Burchell, and Chris Sorenson, and added in with Alex Rodriguez's phenomenal drumming took listeners by surprise with their self-entitled debut back in 2006. One would think a band like this with such great success in their debut effort would come back with a disappointing sophomore effort. This is nowhere near the case here. I define a great followup album as maintaining the greatness and originality of the premiere while branching into new areas and expanding upon the initial efforts' ideas without ruining the whole concept. Saosin delivers on all accounts here. This album is just as good as "Saosin" if not better.
1. I Keep My Secrets Safe- The leadoff track begins with solid drumming and guitar strumming that typifies Saosin. Cove's voice literally wavers throughout the song, but this is a positive thing because it establishes the drama of the song that is backed up by his incredible talent for singing/screaming at the same time. A striking first song that captures the mood for the whole album. A definite head-banger with some firm screaming near the end. Great start. 9.5/10
2. Deep Down- The beginning rhythm to the guitar of this song is amazing and the drums that follow are great as well, especially if you enjoy listening to songs and picture playing them yourself. This is one of my favorite songs on the album, Cove's vocals for the chorus and the lyrics along with the general pacing and rhythm of the song are appealing and dramatic. Great concept here. 9.5/10
3. Why Can't You See- At first this song was only good for me, but after a few listens, I changed from good to great. A slow start abruptly turns to an intense chorus with some of the best lyrics on the whole CD. This song makes me wonder how Cove manages to sing a whole concert like this, because it really must be a sight to behold. Another solid effort. 9/10
4. Changing- The rhythm and pacing of this song's verses are very alluring for listeners, and the chorus just rocks in general. There isn't much to say about this song because you just have to listen to it to know how cool it is. The splashy drums, great vocals, and awesome guitar/bass combo all contribute to the overall mood and theme of the album, making this the best song on the album. 10/10
5. On My Own- An odd start transitions into a headbanging chorus that definitely will make fans call to mind "Saosin", because if I was listenting to shuffle on my I-Pod, it could pass off as a song from their first album if I didn't know better. An absolutely awesome guitar and drum breakdown in the crescendo of the song that includes what I call a "stop and start". You'll have to listen to the song to know what I mean, but it will be blatantly obvious when you hear it. Great song with great lyrics that question life as only Saosin knows how. It also features an ending that transitions nicely into the next song. 9.5/10
6. The Alarming Sound Of A Still Small Voice- This is a great rock ballad. It is the weakest track we've seen thus far, but so far Saosin has been at a ridiculous level of rockitude. The chorus and vocals accompanied by intense instrumentals really epitomize the desperation and anguish shown in the lyrics, and it ends on a truly epic note. This is a song with feel that will speak to some and completely miss with others. 9/10
7. Say Goodbye- A slower start and slower verses are used with the intent of leading into an intense chorus. I could also see this song on "Saosin". At this point, it's hard to really go to far into detail without sounding repetitive; Saosin is delivering with a fervor comparable only to Moses, Jesus, and Dominos Pizza. 9.5/10
8. The Worst Of Me- A solid verse along with a brief pause builds up anticipation for a chorus that fulfills the hype. Cove's vocals for the chorus are backed with vocals that really lend to the tragic nature of the song. This is one of those songs that just stands out on an album and makes you look down the check the name of the song so you can remember to listen to it again. Later on in the song is a great breakdown that leads into the epic final chorus. 10/10
9. It's All Over- This song doesn't really fit in with the drama of the whole CD, but it still is a great track. This is a slower and less in-you-face song that confronts the difficulties of losing love. It is a beautiful song that talks about trying to pick up the pieces and move on. This is similar to "I Never Wanted To" mixed with "You're Not Alone". 9/10
10. What We Were Made For- This song has a pop-ish feel to it that may be disagreeable to some, and definitely does not fit in with the previously established mood, but it's not a bad attempt. This is Saosin's closest thing to mainstream, and it's definitely a good song, just not typical Saosin. This song will grow on you though. 8.5/10
11. Is This Real- Fast-paced verses that may be a little too fast-paced for my taste transition into a slower chorus that is extremely appeasing. Lyrically, many will be able to relate, and this makes the song even better. Leading into the crescendo is a great breakdown/slowdown that adds to the mystifying nature of the song, and it is nicely finished off as well. 9.5/10
12. Nothing Is What It Seems (Without You)- This is a very touching song about losing someone you love. It voices both the clarity and sureness of the singer's mindset and values as well as the obvious sadness and confusion that comes with losing someone that makes it all the more heartrending. A slower and less upbeat song that still has its share of intensity. It is lyrically simple, but it doesn't have to be that complex because the thoughts expressed here are valid and pertinent. Great song. 10/10
13. Fireflies (Light Messengers)- Not as epic of a finish to the album as I would have liked, but there are some great concepts here. The lyrics embody a notion of hope in the midst of desperation and darkness, and the shrill guitar in the background adds to this sense. This song is a little lengthy at 8.5 minutes, but it is definitely worth the listen. 9/10
Overall: 122/130
Fans of Saosin, rejoice! Saosin is back and better than ever. I hope I am not wrong in saying this, because this is a really great band, but this may be their crowning achievement. "Saosin" was a great album, but "In Search Of Solid Ground" expands and improves upon it in every way. I love albums that have their own mood to them throughout, and this album achieves this mark of near perfection. It will be interesting to see what is to come in the future for this band. Definitely worth the investment for Saosin fans and rock fans in general. Up next is Thousand Foot Krutch. Thanks for tuning in. Rock on.
1. I Keep My Secrets Safe- The leadoff track begins with solid drumming and guitar strumming that typifies Saosin. Cove's voice literally wavers throughout the song, but this is a positive thing because it establishes the drama of the song that is backed up by his incredible talent for singing/screaming at the same time. A striking first song that captures the mood for the whole album. A definite head-banger with some firm screaming near the end. Great start. 9.5/10
2. Deep Down- The beginning rhythm to the guitar of this song is amazing and the drums that follow are great as well, especially if you enjoy listening to songs and picture playing them yourself. This is one of my favorite songs on the album, Cove's vocals for the chorus and the lyrics along with the general pacing and rhythm of the song are appealing and dramatic. Great concept here. 9.5/10
3. Why Can't You See- At first this song was only good for me, but after a few listens, I changed from good to great. A slow start abruptly turns to an intense chorus with some of the best lyrics on the whole CD. This song makes me wonder how Cove manages to sing a whole concert like this, because it really must be a sight to behold. Another solid effort. 9/10
4. Changing- The rhythm and pacing of this song's verses are very alluring for listeners, and the chorus just rocks in general. There isn't much to say about this song because you just have to listen to it to know how cool it is. The splashy drums, great vocals, and awesome guitar/bass combo all contribute to the overall mood and theme of the album, making this the best song on the album. 10/10
5. On My Own- An odd start transitions into a headbanging chorus that definitely will make fans call to mind "Saosin", because if I was listenting to shuffle on my I-Pod, it could pass off as a song from their first album if I didn't know better. An absolutely awesome guitar and drum breakdown in the crescendo of the song that includes what I call a "stop and start". You'll have to listen to the song to know what I mean, but it will be blatantly obvious when you hear it. Great song with great lyrics that question life as only Saosin knows how. It also features an ending that transitions nicely into the next song. 9.5/10
6. The Alarming Sound Of A Still Small Voice- This is a great rock ballad. It is the weakest track we've seen thus far, but so far Saosin has been at a ridiculous level of rockitude. The chorus and vocals accompanied by intense instrumentals really epitomize the desperation and anguish shown in the lyrics, and it ends on a truly epic note. This is a song with feel that will speak to some and completely miss with others. 9/10
7. Say Goodbye- A slower start and slower verses are used with the intent of leading into an intense chorus. I could also see this song on "Saosin". At this point, it's hard to really go to far into detail without sounding repetitive; Saosin is delivering with a fervor comparable only to Moses, Jesus, and Dominos Pizza. 9.5/10
8. The Worst Of Me- A solid verse along with a brief pause builds up anticipation for a chorus that fulfills the hype. Cove's vocals for the chorus are backed with vocals that really lend to the tragic nature of the song. This is one of those songs that just stands out on an album and makes you look down the check the name of the song so you can remember to listen to it again. Later on in the song is a great breakdown that leads into the epic final chorus. 10/10
9. It's All Over- This song doesn't really fit in with the drama of the whole CD, but it still is a great track. This is a slower and less in-you-face song that confronts the difficulties of losing love. It is a beautiful song that talks about trying to pick up the pieces and move on. This is similar to "I Never Wanted To" mixed with "You're Not Alone". 9/10
10. What We Were Made For- This song has a pop-ish feel to it that may be disagreeable to some, and definitely does not fit in with the previously established mood, but it's not a bad attempt. This is Saosin's closest thing to mainstream, and it's definitely a good song, just not typical Saosin. This song will grow on you though. 8.5/10
11. Is This Real- Fast-paced verses that may be a little too fast-paced for my taste transition into a slower chorus that is extremely appeasing. Lyrically, many will be able to relate, and this makes the song even better. Leading into the crescendo is a great breakdown/slowdown that adds to the mystifying nature of the song, and it is nicely finished off as well. 9.5/10
12. Nothing Is What It Seems (Without You)- This is a very touching song about losing someone you love. It voices both the clarity and sureness of the singer's mindset and values as well as the obvious sadness and confusion that comes with losing someone that makes it all the more heartrending. A slower and less upbeat song that still has its share of intensity. It is lyrically simple, but it doesn't have to be that complex because the thoughts expressed here are valid and pertinent. Great song. 10/10
13. Fireflies (Light Messengers)- Not as epic of a finish to the album as I would have liked, but there are some great concepts here. The lyrics embody a notion of hope in the midst of desperation and darkness, and the shrill guitar in the background adds to this sense. This song is a little lengthy at 8.5 minutes, but it is definitely worth the listen. 9/10
Overall: 122/130
Fans of Saosin, rejoice! Saosin is back and better than ever. I hope I am not wrong in saying this, because this is a really great band, but this may be their crowning achievement. "Saosin" was a great album, but "In Search Of Solid Ground" expands and improves upon it in every way. I love albums that have their own mood to them throughout, and this album achieves this mark of near perfection. It will be interesting to see what is to come in the future for this band. Definitely worth the investment for Saosin fans and rock fans in general. Up next is Thousand Foot Krutch. Thanks for tuning in. Rock on.
Jet: Shaka Rock Review
Jet. The band that fell off the earth. Remember the days when Jet was played on the radio? And people actually knew the words? Then came "Shine On". One of the most underrated albums of all time. Everyone I know who liked Jet wasn't even aware that they had a new album. At first, I must confess, I was disappointed with the new album, even with great songs such as "Put Your Money Where Your Mouth Is", "Rip It Up", and "Shine On". It just lacked that X-factor that made "Get Born" so damn appealing to everyone. But after listening to it a few times through, I realized that I was mistaken, and that "Shine On" was actually a band's maturing. It was not everyone's favorite, but the album actually instilled hope in me: hope that Jet would realize that even though a lot of people dismissed the album, they had matured, and that upon realizing this, they would find a way to mix this new maturity with the great sound they had achieved with their debut. Unfortunately, I am not too sure that "Shaka Rock" is what I had been hoping for. This time, Jet has chosen to have fun with their songs, which is a great thing; nobody wants to listen to a band with great songs that they hate performing. But I just can't get over the numerous oddities that envelop this latest effort. There are a lot of hit or miss songs here, and maybe I am being too harsh because my high expectations were not met, but I am disappointed. Hopefully this album will grow on me.
1. K.I.A. (Killed In Action)- The first song the public heard from Jet's new album was leaked through myspace. Upon hearing it, I was glad to see that Jet was not as serious as in "Shine On", but also figured this song would be a randomly numbered middle track, not the lead-off song. However, I was glad to find that this song grew on me incredibly fast and is one of the best songs on the album. Although the chorus may get repetitive and the children voices in the background chanting "K! I! A!" along with lead singer Nic Cester's great singing/screaming (that Jet fans are used to) may not be everyone's favorite, this track still has a fun feel to it while still pleasing fans with a great song. This song has a great flair to it that anyone can enjoy. 9.5/10
2. Beat On Repeat- An odd song that cannot help but remind listeners of the Beatles. This song is not a bad one, it just doesn't do anything special, the lyrics are not very strong and are extremely repetitive, and there are a couple of questionable segments where everything slows down. A guitar solo near the end of the song is solid, but there's not much here. 7/10
3. She's A Genius- I usually don't like to say that an artist's best song is their single, but this is the case here. A great guitar schema seen throughout the song and consistently great vocals from Nic Cester really give the song a classic Jet feel that fans have been longing for since "Get Born". This is a fun and well executed song, giving it the award of the best song on the album. 10/10
4. Black Hearts (On Fire)- Another song that lives up to fans' standards of what great Jet music should sound like. A light-hearted song that starts off a little slower and then eventually transitions into a more exciting song with a typical energetic section that cannot be denied. This is another fun song that is well executed and displays not only the vocal talent here but also guitar, bass, and drums as well. 9/10
5. Seventeen- This song starts off with a pleasant piano intro which is eventually joined by the drums of Chris Cester and the guitar power of Cam Muncey. Mellow verses that once again lead into a more interesting chorus. The word used to describe this song would be pleasant. Pleasant like finding a 5 dollar bill on the ground or getting the last pack of your roommate's Gushers: A nice plus in the short term, but not necessarily memorable in the long run. 9/10
6. La Di Da- What starts off as a promising verse quickly turns into a simple and uninteresting chorus. The chorus then reverts back to some solid instrument work, including some piano, but overall, this song is nothing special. Some will find it to be a personal favorite, but for the most part, bland lyrics will keep this song from being remembered. 7/10
7. Goodbye Hollywood: Closer to the sound of "Shine On" than anything else. Once again, a promising verse crescendo thwarted by a slowdown right before the chorus. The chorus isn't too bad, but this song transitions from slow to fast and light to heavy too much to be able to enjoy fully. Not a bad song, just a little bit odd in the transitioning. 8/10
8. Walk- A solid rock anthem. The use of bongos in the background adds a nice touch to the song, giving it a cozy and pleasant feel. The use of "yeah yeah yeah yeah yeah yeah"'s in the song also contributes to this notion. Once again, not necessarily living up to my standards, but still not bad. 8/10
9. Times Like This- An old-fashioned song that once again calls the Beatles to mind with the whole idea of children/women chanting or contributing to the vocals in the background (that whole hippy kind of thing). This song missed with me, but maybe it will hit you. In a good way. The cooing in the background reminds me of "Sympathy for the Devil" by the Rolling Stones as well. And yes, I did just say that a song calls to mind both the Beatles and the Stones. 8/10
10. Let Me Out- This song fits in more with contemporary rock, with the guitar in the beginning reminding me of Jimmy Eat World's "The Middle" in their "Bleed American" days and the song in general reminding me of Counting Crows. Leading into the chorus is a nice crescendo, and the chorus itself is very good. This is a very light, uplifting, and agreeable rocker with stronger lyrics. 8/10
11. Start The Show- Despite a strange few opening seconds, the song rapidly picks up pace with some great guitar riffs. This is a very impressive track that embodies the characteristics of Jet that classify them as rock 'n' roll. I have always thought Jet was a contemporary band that sounds like all the older elements of rock, and this song will certainly bring people back to the 90's or maybe even the 70's-80's for some. This is the kind of song you want to see live, the kind of song you play air guitar to late at night in your pjs. Or maybe thats just me. But either way, solid song. 9/10
12. She Holds A Grudge- Fans of slow songs, rejoice! The first slow song from Jet's new album is also the final track. It has some amazing background guitar and bass work from Mark Wilson used to characterize the song as uplifting, especially when the drums kick in later on. This is kind of like "Radio Song" mixed with "Timothy" from "Get Born", only perfected. Nice lyrics and an overall impressive return to ballads. 9.5/10
Overall: 102/120
This is not Jet's best album. This is one of those albums that you have to listen to a few times through and pay attention in order to find out whether or not you approve because it just flies by the first one or two times. Trust me, I had to listen to this album repetitively for a good 5 hours to figure it out. For fans of rock, this might not be your cup of tea, but then again, maybe it will. For fans of Jet, it is definitely worth the investment, but don't expect it to compete with Get Born's immortal status as Jet's best. Thanks for tuning in. Next up is Saosin. Rock on.
1. K.I.A. (Killed In Action)- The first song the public heard from Jet's new album was leaked through myspace. Upon hearing it, I was glad to see that Jet was not as serious as in "Shine On", but also figured this song would be a randomly numbered middle track, not the lead-off song. However, I was glad to find that this song grew on me incredibly fast and is one of the best songs on the album. Although the chorus may get repetitive and the children voices in the background chanting "K! I! A!" along with lead singer Nic Cester's great singing/screaming (that Jet fans are used to) may not be everyone's favorite, this track still has a fun feel to it while still pleasing fans with a great song. This song has a great flair to it that anyone can enjoy. 9.5/10
2. Beat On Repeat- An odd song that cannot help but remind listeners of the Beatles. This song is not a bad one, it just doesn't do anything special, the lyrics are not very strong and are extremely repetitive, and there are a couple of questionable segments where everything slows down. A guitar solo near the end of the song is solid, but there's not much here. 7/10
3. She's A Genius- I usually don't like to say that an artist's best song is their single, but this is the case here. A great guitar schema seen throughout the song and consistently great vocals from Nic Cester really give the song a classic Jet feel that fans have been longing for since "Get Born". This is a fun and well executed song, giving it the award of the best song on the album. 10/10
4. Black Hearts (On Fire)- Another song that lives up to fans' standards of what great Jet music should sound like. A light-hearted song that starts off a little slower and then eventually transitions into a more exciting song with a typical energetic section that cannot be denied. This is another fun song that is well executed and displays not only the vocal talent here but also guitar, bass, and drums as well. 9/10
5. Seventeen- This song starts off with a pleasant piano intro which is eventually joined by the drums of Chris Cester and the guitar power of Cam Muncey. Mellow verses that once again lead into a more interesting chorus. The word used to describe this song would be pleasant. Pleasant like finding a 5 dollar bill on the ground or getting the last pack of your roommate's Gushers: A nice plus in the short term, but not necessarily memorable in the long run. 9/10
6. La Di Da- What starts off as a promising verse quickly turns into a simple and uninteresting chorus. The chorus then reverts back to some solid instrument work, including some piano, but overall, this song is nothing special. Some will find it to be a personal favorite, but for the most part, bland lyrics will keep this song from being remembered. 7/10
7. Goodbye Hollywood: Closer to the sound of "Shine On" than anything else. Once again, a promising verse crescendo thwarted by a slowdown right before the chorus. The chorus isn't too bad, but this song transitions from slow to fast and light to heavy too much to be able to enjoy fully. Not a bad song, just a little bit odd in the transitioning. 8/10
8. Walk- A solid rock anthem. The use of bongos in the background adds a nice touch to the song, giving it a cozy and pleasant feel. The use of "yeah yeah yeah yeah yeah yeah"'s in the song also contributes to this notion. Once again, not necessarily living up to my standards, but still not bad. 8/10
9. Times Like This- An old-fashioned song that once again calls the Beatles to mind with the whole idea of children/women chanting or contributing to the vocals in the background (that whole hippy kind of thing). This song missed with me, but maybe it will hit you. In a good way. The cooing in the background reminds me of "Sympathy for the Devil" by the Rolling Stones as well. And yes, I did just say that a song calls to mind both the Beatles and the Stones. 8/10
10. Let Me Out- This song fits in more with contemporary rock, with the guitar in the beginning reminding me of Jimmy Eat World's "The Middle" in their "Bleed American" days and the song in general reminding me of Counting Crows. Leading into the chorus is a nice crescendo, and the chorus itself is very good. This is a very light, uplifting, and agreeable rocker with stronger lyrics. 8/10
11. Start The Show- Despite a strange few opening seconds, the song rapidly picks up pace with some great guitar riffs. This is a very impressive track that embodies the characteristics of Jet that classify them as rock 'n' roll. I have always thought Jet was a contemporary band that sounds like all the older elements of rock, and this song will certainly bring people back to the 90's or maybe even the 70's-80's for some. This is the kind of song you want to see live, the kind of song you play air guitar to late at night in your pjs. Or maybe thats just me. But either way, solid song. 9/10
12. She Holds A Grudge- Fans of slow songs, rejoice! The first slow song from Jet's new album is also the final track. It has some amazing background guitar and bass work from Mark Wilson used to characterize the song as uplifting, especially when the drums kick in later on. This is kind of like "Radio Song" mixed with "Timothy" from "Get Born", only perfected. Nice lyrics and an overall impressive return to ballads. 9.5/10
Overall: 102/120
This is not Jet's best album. This is one of those albums that you have to listen to a few times through and pay attention in order to find out whether or not you approve because it just flies by the first one or two times. Trust me, I had to listen to this album repetitively for a good 5 hours to figure it out. For fans of rock, this might not be your cup of tea, but then again, maybe it will. For fans of Jet, it is definitely worth the investment, but don't expect it to compete with Get Born's immortal status as Jet's best. Thanks for tuning in. Next up is Saosin. Rock on.
Wednesday, September 16, 2009
Skillet: Awake Review
Skillet has returned from their success with 2006's heavier and more mainstream effort of "Comatose" and delivers yet again. While I must admit that I am not a huge fan of their older work, I recognize good music when I hear it, and Skillet's two prior albums, "Comatose" and "Collide" embody all of the characteristics of a solid rock album. But I think that it is safe to say that Skillet's latest endeavor, "Awake", is the band's best work to date. This album embodies the themes of desperation for God, hope and peace that Christian rock fans have come to associate the band with. But even if you are not a religious person, Skillet's "Awake" has something for you. Rock fans are sure to be dazzled by great, heavy guitar riffs from lead guitarist Ben Kasica, throaty and well-sung songs by the lead singer John Cooper accompanied by the sweet and melodic voice that the lead singer's wife (Korey Cooper) lends to a few tracks, and solid drumming from Jen Ledger. The album ranges from head-smashing songs to slow and beautiful ballads, so fans of both genres of Skillet's repertoire will be pleased. If you are one of those people that likes to revel in a band's glory days and tends to ignore a band's latest efforts (cough Green Day fans cough), I guarantee that you will be making a mistake if you pass this album up. Skillet fans, your band is back and is ready to tear this nation apart when they go on tour.
1. Hero- When this single was released, Skillet fans rejoiced to hear their beloved band rocking out like this. A great opener for the album that embodies the theme of mixing great rock with the notion of needing a hero (God) to redeem not only the people singing the song, but those listening to it as well. Or, if you are not religious, this is still a great song to rock out to. Korey's added vocals are a nice plus to the song, adding to the drama. 9.5/10
2. Monster- As if Hero wasn't good enough of a single, Skillet then released yet another single that completely conflicted with Hero as far as lyrics are concerned, but managed to retain the same level of rocking out. This dark yet fun track is the highlight of the album if you are looking for a heavy rocker. This is one of those songs that makes you want to go see a band live because you know seeing it performed live will give you goosebumps of delight. A perfectly executed track. 10/10
3. Don't Wake Me- After two helpings of in-your-face with a side of I-can't-breathe-damn-that-was-awesome, Skillet slows things down a slow song that, surprisingly, has no religious ties. This song covers a more worldly topic in that it focuses on a love interest. A sweet song, but not very complicatedly deep lyrically. Skillet has better slow songs than this, but this is still a solid track. 8/10
4. Awake And Alive- It doesn't take a lyrical genius/Kanye West to see why this is the most popular song off of Skillet's new album. This is a great song whether or not you choose to apply a religious meaning to it. Awake and Alive is another heavy rocker that is the best track on the whole album in my opinion. Violins set up a dramatic feel to the whole song as well as Korey's vocal support, and an amazing guitar solo follows what I affectionately call an epic "throwdown" in which anybody alone in their room with their headphones on will forget what they are doing, close their eyes, and start thrashing their head around like an idiot. I guess the term for that would be "crescendo", but throwdown just sounds so much better here. The song also ends on an epic note. Anyone with a "pump up" playlist on their I-Pod should immediately look no further. 10/10
5. One Day Too Late- This is a song with a great message regardless of what faith system you belong to. Obviously it makes more sense for Catholics but anyone can draw meaning from this kind of song. It is a slower song that shows a lot of emotion and a lot of positive sentiments. 8.5/10
6. It's Not Me It's You- This is one of those songs that is good but repetitive, as one who is knowledgeable in the art of song-naming might have guessed from deciphering the title of the song. This is a solid, harder rock song if nothing else, but don't look for too much substance in the lyrics or in variety here. Skillet once again covers a new topic: (assumingly) love gone wrong. A good song if you're not in a very good mood because your boyfriend/girlfriend/wife/husband/spouse/teacher/coach/roommate/mother-in-law is pissing you off. 8/10
7. Should've When You Could've- Maybe I'm a little bit bias with this song because I can totally relate to every sentiment expressed in the song, but this is a great mellow song. It is all about John Cooper telling some girl that she missed out on his lovin'. The lyrics are solid, the ideas are solid, and the method in which they are expressed is solid. 9/10
8. Believe-A slightly shaky start transitions into one hell of a chorus that really displays some of the heart behind the music itself. While the chorus ends on an iffy note from John Cooper, the guitar that immediately follows will draw some attention. The lyrics here are not complex, but they are certainly heartfelt and can certainly be understood by many. Violins and a guitar solo near the end of the song are definite plusses. 8.5/10
9. Forgiven- Starts off with a great albeit short piano intro that leads into the awesome guitar, drums, and violins Skillet fans are accustomed to. The chorus branches off into another direction from the drama of the verses, but the two go nicely together. This is a very good song, and while some may find John's slightly repetitive section of "Whoa! Whoa! Whoa!" to detract from the song, I thought it was very heartfelt and added even more sentiment to the song. 9/10
10. Sometimes- A very dark, brooding song that is not very typical of Skillet. A dark message presented in a dark format may discourage some, but there are still some good concepts here. This song keeps Skillet from being branded as one-dimensional and also expresses some of the doubt, strife, and low points that accompany any person of faith, or just any person in general. Great guitar in the middle. Nowhere near the great things Skillet has done, but variety is not necessarily a bad thing, and this song will be hit or miss for most. 8/10
11. Never Surrender- After a darker note, the band returns to an appealing and hopeful theme. There is definitely some confusion and frustration in the lyrics, but it is overshadowed by the notion of the title of the track itself. Many will be able to relate to this song and find hope in it. Another track that is not necessarily Skillet's best, but it definitely fits in on the album and adds to the overall experience. 8.5/10
12. Lucy- The last song of an album has always been hit or miss with me. I don't know about you, but I need a song that is epic (and yes, slow songs can be epic as well), and hopefully not too long. I can handle an extremely long final song every now and then, but if I want to rack up the play count of a CD on my album, I really don't wanna sit through an 8 minute track, especially if there is any silence put in there. Skillet seems to have read my mind on all of these points. Lucy is one of the top 3 songs on this album, and arguably the best on the album. I prefer Monster and Awake And Alive personally, but this song has a great message about losing people we love and wanting them in our arms again, John's voice will be sure to melt the hearts of many a 16-year-old girl, and the piano in the background adds a perfect touch to the heart-warming/breaking sentiment of the song. A perfect ending to a great CD. 10/10
Overall: 107/120
This is Skillet's best album yet. If you were wondering if this is worth the investment, it most certainly is. Tomorrow, I will be posting reviews for Jet's and Saosin's latest endeavors. Or I guess if you look at a clock, later today. Just not now. I'm a college student who got so carried away with his blogging he forgot he has homework due in 12 hours, 10 of which will be spent sleeping. Thanks for tuning in. Rock on.
1. Hero- When this single was released, Skillet fans rejoiced to hear their beloved band rocking out like this. A great opener for the album that embodies the theme of mixing great rock with the notion of needing a hero (God) to redeem not only the people singing the song, but those listening to it as well. Or, if you are not religious, this is still a great song to rock out to. Korey's added vocals are a nice plus to the song, adding to the drama. 9.5/10
2. Monster- As if Hero wasn't good enough of a single, Skillet then released yet another single that completely conflicted with Hero as far as lyrics are concerned, but managed to retain the same level of rocking out. This dark yet fun track is the highlight of the album if you are looking for a heavy rocker. This is one of those songs that makes you want to go see a band live because you know seeing it performed live will give you goosebumps of delight. A perfectly executed track. 10/10
3. Don't Wake Me- After two helpings of in-your-face with a side of I-can't-breathe-damn-that-was-awesome, Skillet slows things down a slow song that, surprisingly, has no religious ties. This song covers a more worldly topic in that it focuses on a love interest. A sweet song, but not very complicatedly deep lyrically. Skillet has better slow songs than this, but this is still a solid track. 8/10
4. Awake And Alive- It doesn't take a lyrical genius/Kanye West to see why this is the most popular song off of Skillet's new album. This is a great song whether or not you choose to apply a religious meaning to it. Awake and Alive is another heavy rocker that is the best track on the whole album in my opinion. Violins set up a dramatic feel to the whole song as well as Korey's vocal support, and an amazing guitar solo follows what I affectionately call an epic "throwdown" in which anybody alone in their room with their headphones on will forget what they are doing, close their eyes, and start thrashing their head around like an idiot. I guess the term for that would be "crescendo", but throwdown just sounds so much better here. The song also ends on an epic note. Anyone with a "pump up" playlist on their I-Pod should immediately look no further. 10/10
5. One Day Too Late- This is a song with a great message regardless of what faith system you belong to. Obviously it makes more sense for Catholics but anyone can draw meaning from this kind of song. It is a slower song that shows a lot of emotion and a lot of positive sentiments. 8.5/10
6. It's Not Me It's You- This is one of those songs that is good but repetitive, as one who is knowledgeable in the art of song-naming might have guessed from deciphering the title of the song. This is a solid, harder rock song if nothing else, but don't look for too much substance in the lyrics or in variety here. Skillet once again covers a new topic: (assumingly) love gone wrong. A good song if you're not in a very good mood because your boyfriend/girlfriend/wife/husband/spouse/teacher/coach/roommate/mother-in-law is pissing you off. 8/10
7. Should've When You Could've- Maybe I'm a little bit bias with this song because I can totally relate to every sentiment expressed in the song, but this is a great mellow song. It is all about John Cooper telling some girl that she missed out on his lovin'. The lyrics are solid, the ideas are solid, and the method in which they are expressed is solid. 9/10
8. Believe-A slightly shaky start transitions into one hell of a chorus that really displays some of the heart behind the music itself. While the chorus ends on an iffy note from John Cooper, the guitar that immediately follows will draw some attention. The lyrics here are not complex, but they are certainly heartfelt and can certainly be understood by many. Violins and a guitar solo near the end of the song are definite plusses. 8.5/10
9. Forgiven- Starts off with a great albeit short piano intro that leads into the awesome guitar, drums, and violins Skillet fans are accustomed to. The chorus branches off into another direction from the drama of the verses, but the two go nicely together. This is a very good song, and while some may find John's slightly repetitive section of "Whoa! Whoa! Whoa!" to detract from the song, I thought it was very heartfelt and added even more sentiment to the song. 9/10
10. Sometimes- A very dark, brooding song that is not very typical of Skillet. A dark message presented in a dark format may discourage some, but there are still some good concepts here. This song keeps Skillet from being branded as one-dimensional and also expresses some of the doubt, strife, and low points that accompany any person of faith, or just any person in general. Great guitar in the middle. Nowhere near the great things Skillet has done, but variety is not necessarily a bad thing, and this song will be hit or miss for most. 8/10
11. Never Surrender- After a darker note, the band returns to an appealing and hopeful theme. There is definitely some confusion and frustration in the lyrics, but it is overshadowed by the notion of the title of the track itself. Many will be able to relate to this song and find hope in it. Another track that is not necessarily Skillet's best, but it definitely fits in on the album and adds to the overall experience. 8.5/10
12. Lucy- The last song of an album has always been hit or miss with me. I don't know about you, but I need a song that is epic (and yes, slow songs can be epic as well), and hopefully not too long. I can handle an extremely long final song every now and then, but if I want to rack up the play count of a CD on my album, I really don't wanna sit through an 8 minute track, especially if there is any silence put in there. Skillet seems to have read my mind on all of these points. Lucy is one of the top 3 songs on this album, and arguably the best on the album. I prefer Monster and Awake And Alive personally, but this song has a great message about losing people we love and wanting them in our arms again, John's voice will be sure to melt the hearts of many a 16-year-old girl, and the piano in the background adds a perfect touch to the heart-warming/breaking sentiment of the song. A perfect ending to a great CD. 10/10
Overall: 107/120
This is Skillet's best album yet. If you were wondering if this is worth the investment, it most certainly is. Tomorrow, I will be posting reviews for Jet's and Saosin's latest endeavors. Or I guess if you look at a clock, later today. Just not now. I'm a college student who got so carried away with his blogging he forgot he has homework due in 12 hours, 10 of which will be spent sleeping. Thanks for tuning in. Rock on.
General Overview
Hello everyone out there, my name is Gerald Bourguet and I love music. I love all music, but the music that I am most knowledgeable about is rock. I own about 220 CDs of music (causing some of my peers to label me as a "music fanatic"), I buy at least one new CD every week, I regularly attend concerts, and I own Rock band AND Guitar Hero 3-5. Enough said, because if this doesn't make me a knowledgeable fan of rock music, nothing will. I believe that music can really characterize moments in people's lives and add drama, flair, or fun to the monotony of silence. The only problem is determining which music effectively does this for all you rockers out there. That's what I'm here for. Whether you prefer mellow, emotional, heart-warming music or head-pounding, blood-pumping, get-jacked-up-enough-to-run-through-a-brick-wall rock music, there will be something in these blogs for you. Curious as to whether your favorite band delivers on their latest effort? Wondering whether a new album is worth the $10 investment (or anywhere from $11-$15 depending on how long you wait to make your purchase; I, on the other hand, cannot wait past the day a new album comes out)? Looking for new music in general? Look no further. Wonder no more. Turn curiosity to definite knowledge and jubilance. Tune in every week on Thursday/Friday to discover the inside scoop on 1-3 of the latest releases. Since I am only starting this blog now, and since there have been quite a few interesting new releases this month, I'm going to go through SIX new albums that are sure to draw attention. Aren't you lucky? For more information on some of the bands I will be reviewing, check out the info tab of my facebook (http://www.facebook.com/profile.php?success=1&id=1587418222) or myspace (http://www.myspace.com/68676271) page. One last thing to remember is that as a lover of music, I enjoy discussing opinions on music with other people, so feedback is a great thing! Thank you everyone, and rock on. On to Skillet.
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